Name: Le nozze di Figaro
Start: 1975-02-26T00:00:00.000Z
End: 1976-01-01T00:00:00.000Z
Location: Komische Oper

Organization

Maestro

Geza Oberfrank

Diretor de Palco

Walter Felsenstein

Cantor

Baixo

Jozsef Dene

Fígaro

Mezzo-soprano

Ute Trekel Burckhardt

Cherubino

Rudolf Asmus

Bartolo

Tenor

Frank Folker

Basílio

Werner Enders

Don Curzio

Soprano

Barbara Sternberger

Barbarina

Komische Oper Berlin

Orchestra

Orchester der Komischen Oper Berlin

Le nozze di Figaro -  (As bodas de Fígaro)

Berlim

Alemanha

Komische Oper

Walter Felsenstein (1901–1975), founder and general director of the Komische Oper in Berlin, was one of the twentieth century’s greatest creative theatre directors, who played a hugely important role in the revival of opera as a theatrical art form. A brilliant artist who directed over 190 productions during the course of his career, he was equally committed to the works, their creators, the ensemble and the audience.
The Marriage of Figaro that received its premiere on 26 February 1975 in the Komische Oper Berlin was Walter Felsenstein’s last production and in many respects can be regarded as representing his legacy. Having just returned from directing a guest production at Vienna’s Burgtheater, Felsenstein had been working on Figaro since early February 1974. He had already directed three productions of the work – in 1934 in Cologne, in 1942 at the Salzburg Festival and in 1950 at the Komische Oper. For the latter production, he had used earlier translations as the basis for producing a new text version, but he now decided that this was inadequate, as he had reached the conclusion that from the point of view of both form and expression, rhyme was crucial at many points in the musical numbers. He also wanted to further fine-tune the formulation of the text – putting the emphasis on the sense rather than word-for-word equivalence (which was, in any case, impossible). For a 74-year-old, Felsenstein had a punishing work schedule. In addition to working on Figaro (translating the libretto, analysing the pieces with the conductor, working on the overall concept, holding discussions with the set and costume designers), he also had to find time for his work as General Director, for congresses, for a guest production of Bluebeard and for many other duties. His principle was, “always to start from the beginning again, to try to reach an understanding of the text and the music as though they had never before been interpreted or ‘understood’. I call it ‘taking the work literally’. And it is above all the music that has to be taken literally.” Thus he tried to approach even his fourth production of the work in a spirit of ‘naivety’, while, at the same time, benefiting from the experience gained with his previous productions. With inexorable meticulousness, Felsenstein pored over the opera, consulting its roots in the works of Beaumarchais and Paisiello (The Barber of Seville) in order to be able to understand the relationship between the characters in Mozart’s work

Public

As bodas de Fígaro

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Baixo-barítono

Contratenor

Barítono

Alto

Continuo

Silent

Spoken

Vocalista Infantil

Watch full performance here: Le nozze di Figaro (1976)

Le nozze di Figaro - Preview clip

Walter Felsenstein (1901–1975), founder and general director of the Komische Oper in Berlin, was one of the twentieth century’s greatest creative theatre directors, who played a hugely important role in the revival of opera as a theatrical art form. A brilliant artist who directed over 190 productions during the course of his career, he was equally committed to the works, their creators, the ensemble and the audience.
The Marriage of Figaro that received its premiere on 26 February 1975 in the Komische Oper Berlin was Walter Felsenstein’s last production and in many respects can be regarded as representing his legacy. Having just returned from directing a guest production at Vienna’s Burgtheater, Felsenstein had been working on Figaro since early February 1974. He had already directed three productions of the work – in 1934 in Cologne, in 1942 at the Salzburg Festival and in 1950 at the Komische Oper. For the latter production, he had used earlier translations as the basis for producing a new text version, but he now decided that this was inadequate, as he had reached the conclusion that from the point of view of both form and expression, rhyme was crucial at many points in the musical numbers. He also wanted to further fine-tune the formulation of the text – putting the emphasis on the sense rather than word-for-word equivalence (which was, in any case, impossible). For a 74-year-old, Felsenstein had a punishing work schedule. In addition to working on Figaro (translating the libretto, analysing the pieces with the conductor, working on the overall concept, holding discussions with the set and costume designers), he also had to find time for his work as General Director, for congresses, for a guest production of Bluebeard and for many other duties. His principle was, “always to start from the beginning again, to try to reach an understanding of the text and the music as though they had never before been interpreted or ‘understood’. I call it ‘taking the work literally’. And it is above all the music that has to be taken literally.” Thus he tried to approach even his fourth production of the work in a spirit of ‘naivety’, while, at the same time, benefiting from the experience gained with his previous productions. With inexorable meticulousness, Felsenstein pored over the opera, consulting its roots in the works of Beaumarchais and Paisiello (The Barber of Seville) in order to be able to understand the relationship between the characters in Mozart’s work.

English

As bodas de Fígaro by Mozart, qua 26 fev 1975, De (1975/1976), Dirigido por Walter Felsenstein,, Regente Geza Oberfrank, Komische Oper, Berlim, Alemanha

Créditos do espetáculo (Elenco & Equipe )

Elenco

Conjunto

Programa, Sobre & Sinopse

Vídeos

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos