Organization

Dyrygent

Corrado Rovaris

Guest Conductor

Emilio Sagi

Scenografia

Daniel Bianco

Kostiumy

Renata Schussheim

Reżyseria światła

Eduardo Bravo

Choreografia

Nuria Castejón

Śpiewak

Baryton

Vittorio Prato

Hrabia Almaviva

Sopran

Carmela Remigio

Hrabina Rozyna

Natalia Labourdette

Zuzanna

Alessio Arduini

Figaro

Mezzosopran

Cecilia Molinari

Cherubin

Amparo Navarro

Marcelina

Ricardo Seguel

Bartolo

Tenor

Manuel de Diego

Basilio

Juan Antonio Sanabria

Don Curzio

Inés Ballesteros

Barbarina

Pablo López

Antonio

Teatro Maestranza

Orchestra

Real Orquesta Sinfónica de Sevilla

Others

Choir of the Teatro de la Maestranza

Le nozze di Figaro -  (Wesele Figara)

Sewilla

Hiszpania

Teatro de la Maestranza

Sala Principal

Le nozze di Figaro Mozart

Public

Wesele Figara

Approved

Natalia Labourdette, Susanna15.12.2022 Teatro de la Maestranza SevillaReal Orquesta Sinfónica de SevillaCorrado Rovaris, conductorEmilio Sagi, stage director

Giunse al fin il momento...Deh, vieni non tardar (Susanna) Le nozze di Figaro | W. A. Mozart

The long experienced and brilliant Stage Director Emilio Sagi explains that in his Marriage of Figaro, the location of Sevilla is not a mere decorative background but rather “one more character”. Accordingly, with the theatrical inspiration of a very unique city of opera, Sagi’s production of The Marriage of Figaro spreads out a labyrinth of passions, infidelities and social class conflict at the crossroads of the changes in the 18th century to announce a new era. This first collaboration between Mozart and his librettist Da Ponte is a marvel of psychological insight, innovative language and the most beautiful of arias which stay with us forever.

The Marriage of Figaro is an ensemble of precise mechanism: an intensely choral artefact that requires an excellent cast. And the Maestranza has just this. A compact international team of singers headed by baritone Alessio Arduini, soprano Natalia Labourdette and baritone Vittorio Prato. Conductor Corrado Rovaris, Musical director of the Philadelphia Opera, leads. In 2019 he enjoyed great success at the Maestranza with his incisive reading of Don Pasquale by Donizetti. All of the above is encased in a production of the ever elegant and crystalline Emilio Sagi, who the Teatro de la Maestranza awaits with expectation, after the impossibility of putting on his longed-for vision of Carmen in 2021. Now, Sagi returns to Sevilla to illuminate one of the Mozart jigsaws which, even with the passing of time, continues to show off new angles.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble