Organization

Mise en scène

Margaret Jumonville

Direction d'orchestre

Codruţ Bîrsan

Chanteur

Basse

Carlo Suarez

Figaro

Baryton

Andrew Hannau

Le Comte Almaviva

Seth Tack

Soprano

Evangeline Ng

Susanna

Zyda Culpepper

Ava Brown

Katherine Petersen

La Comtesse Almaviva

Elizabeth Cohen

Maria Servodidio

Mezzo-soprano

Jade Espina

Cherubino

Rachel DiBlasio

Jenna Sears

Marcellina

Sze Pui Li

Gabriel Shapiro

Bartolo

Ténor

Kameron Alston

Don Basilio

Juan Tello

Steven Auster

Antonio

Gwendolyn DeLaney

Barbarina

Kaori Iwasaki

Chicago Summer Opera

italien

Le nozze di Figaro -  (Les Noces de Figaro)

Le nozze di Figaro Mozart

Public

Private

Les Noces de Figaro

anglais

Valide

The witty story of love, betrayal, and forgiveness.
The Marriage of Figaro
An Opera by Mozart
Creative Team: Director: Margaret Jumonville Conductor: Codrut Birsan
Synopsis: The Marriage of Figaro (Le nozze di Figaro) is set in Count Almaviva’s castle in Seville in the late 18th Century. It is based on Beaumarchais’s 1784 play La Folle Journée, ou Le Mariage de Figaro, a sequel to his earlier play, Le Barbier de Séville (The Barber of Seville), familiar to opera audiences through Rossini’s great opera (Mozart’s opera premiered in 1786; Rossini’s premiered in 1816). In Le Barbier, Count Almaviva, with substantial help from Figaro, wooed and won the lovely Rosine away from her crusty old ward and would-be husband, Dr. Bartholo. In The Marriage of Figaro, Beaumarchais continued their story. The Count has married Rosine but their marriage has gone sour because of his philandering. Figaro has quit barbering and is now the Count’s major-domo. He is engaged to Suzanne, who is Countess Rosine’s maid — and the Count’s intended conquest. Old Bartholo is back to seek revenge on Figaro for taking Rosine away from him, with the help of the slimy music-master, Don Bazile. Adding to the fun are an amorous teenager, a scheming old maid, a drunken gardener, and a silly young girl. Much happens on a single “folle journée” — a crazy day. Mozart’s librettist, Lorenzo da Ponte, took this popular play, removed “political” content that would have offended the Viennese imperial censors (the French Revolution was only a few years away), and faithfully translated the rest into Italian — the customary opera language of the day. With Mozart’s masterpiece of a score, the result was a witty yet profound tale of love, betrayal, and forgiveness.
Running Time: 3 hours with intermission

English

Crédits de représentation (Distribution et équipe de production )

Distribution