Organization

Direction d'orchestre

Stephen Stanke

Mise en scène

Paulo Montoya

Chanteur

Basse

Daniel Macy

Figaro

Soprano

Phoebe-Celeste Humphreys

Susanna

Baryton

James Olds

Le Comte Almaviva

Kirsten Jones

La Comtesse Almaviva

Ian Fisher

Bartolo

Mezzo-soprano

Jermaine Chau

Cherubino

Megan Murphy Chambers

Marcellina

Ténor

Blake Parham

Don Basilio

Bernice Zandona

Barbarina

Ray Dubber

Don Curzio

Rory Struthers

Antonio

Rockdale Opera

Others

Rockdale Opera Company Chorus

anglais

Le nozze di Figaro -  (Les Noces de Figaro)

Rockdale

Australie

Town Hall

Le nozze di Figaro Mozart

Public

Les Noces de Figaro

Valide

The Marriage of Figaro continues the plot of The Barber of Seville several years later, and recounts a single “day of madness“ (la folle journée) in the palace of Count Almaviva near Seville, Spain.
Rosina is now the Countess; Dr Bartolo is seeking revenge against Fogaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. Having gratefully given Figaro a job as head of his servant-staff, he is now persistently trying to obtain the favors of Figaro’s bride-to-be, Susanna. He keeps finding excuses to delay the civil part of the wedding of his two servants, which is arranged for this very day. Figaro, Susanna, and the Countess conspire to embarrass the count and expose his scheming. He responds by trying to compel Figaro legally to marry a woman old enough to be his mother, but it turns out at the last minute that she really is his mother. Through Figaro’s and Susanna’s clever manipulations, the Count’s love for his Countess is finally restored.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Ensemble