Name: Le nozze di Figaro
Start: 2015-04-11T00:00:00.000Z
End: 2015-04-22T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Singer

Baritone

Stéphane Degout

The Count of Almaviva

Soprano

Anett Fritsch

The Countess of Almaviva

Emőke Baráth

Susanna

Bass

Alex Esposito

Figaro

Mezzo-soprano

Ingeborg Gillebo

Cherubino

Peter Kálmán

Bartolo

Tenor

Sunnyboy Dladla

Don Curzio

Basilio

Gan-ya Ben-gur Akselrod

Barbarina

Helene Schneiderman

Marcelline

Zoltán Nagy

Antonio

Conductor

Marc Minkowski

Stage director

Felix Breisach

Costume designer

Doris Maria Aigner

Set designer

Jens Kilian

Libretto

Lorenzo Da Ponte

Lighting designer

Alessandro Carletti

Dramaturge

Konrad Kuhn

MusikTheater an der Wien

Orchestra

Les Musiciens du Louvre

itaalia

Le nozze di Figaro -  (The Marriage of Figaro)

Vienna

Austria

Theater an der Wien

The Marriage of Figaro

saksa

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Mozart knew Paisiello's barberswell, the opera had been shown very successfully in Vienna in 1783, and the two composers had met the following year. When the second piece about this bustling barber came out in Paris, with great success and scandal, the idea of ​​emulating Paisiello's success on the basis of the new Beaumarchais piece was obvious. Mozart and Da Ponte, however, had to considerably defuse the politically explosive proposal in order to be able to get permission to perform their opera project at the Vienna Court Opera. In the libretto, Da Ponte mainly worked out the difficult emotional relationships between the characters and thus provided Mozart's compositional art with a congenial model: his music deepens the characters to an extent that

A few years have passed since the events in Seville surrounding Rosina's marriage to the Count, and the love between the Count's couple has now cooled somewhat. The count is looking for new objects worthy of his favor, and the countess is adored by the young page Cherubino. Figaro has remained in the Count's service and now wants to marry Susanna, the Countess' maid. In the 18th century the nobles had the “ius primae noctis”, the right of the first night: the master was entitled to deflower the bride of a subject before the bridegroom. Count Almaviva wants to show himself to be enlightened around 1780 and abolishes this right on his possessions. But in view of the pretty Susanna, he regrets his progressiveness. Because now he can no longer insist on his rights, he has to use seduction and cunning, to get Susanna in his clutches. But Figaro and Susanna maintain their new erotic autonomy as a married couple, they successfully parry cunning with counter-cunning and the count finds an equal opponent in his servant.

English

The Marriage of Figaro by Mozart, L 18 apr 2015, Alates (2015/2015), Juhatatud Felix Breisach,, Dirigent Marc Minkowski, Theater an der Wien, Vienna, Austria

Etenduse krediiti (Näitlejad ja meeskond )

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Programm, teave ja kokkuvõte

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Esinemiskuupäevad ja -kohad

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