Organization

Cantante

Tenor

Theo Lebow

Kaherdin

Dramaturgia

Zsolt Horpácsy

Director(a) coral

Tilman Michael

Diseñador(a) de iluminación

Jan Hartmann

Diseñador(a) de vestuario/Figurinista

Susanne Uhl

Escenógrafo(a)

Karoly Risz

Director(a) de escena

Tilmann Köhler

Soprano

Juanita Lascarro

Iseut la Blonde

Bajo

Jarrett Porter

Le Duc Hoël

Contralto

Cláudia Ribas

La Mère d'Iseut

Mezzosoprano

Hyoyoung Kim

Branghien

Director(a) orquestal

Takeshi Moriuchi

Cecelia Hall

Iseut aux Blanches Mains

Barítono

Kihwan Sim

Le Roi Marc

Rodrigo Porras Garulo

Tristan

Oper Frankfurt

Others

Choir of the Frankfurt Opera

Orchestra

Frankfurter Opern- und Museumsorchester

francés

Le vin herbé -  (El filtro de amor)

Francfort

Alemania

Opernhaus

Le vin herbé Martin,F

Public

Private

El filtro de amor

alemán

inglés

Válido

The Swiss composer Frank Martin’s plan to set the legend of Tristan to music in a new way, 60 years after Wagner, was single-minded and brave. Another Tristan emerged, subtitled a secular oratorio, as a clear »counterpart« to Wagner’s opera. Unlike its overwhelming, musically dramatic forerunner the Swiss composer wrote for solo voices, vocal ensemble, six solo strings and piano. He distanced himself from Wagner further in his choice of literature, taking up the 1900 Le Roman de Tristan et Iseut by the French Middleages researcher Joseph Bédier instead of Gottfried von Straßburg's narration. Martin’s chorus tells and comments on the story while Tristan, Iseut and King Marc, are soloists. Told in 18 scenes, a prologue and epilogue Martin shapes the story of Tristan and Isolde from the voyage to Cornwall, where Isolde is to marry King Mark, against her will, to their deaths. The composer avoided large-scale theatrical effects, emphasizing the ambivalence of the characters with complex chamber music instead.

English

Créditos de presentación (Reparto & Equipo )

Elenco

Equipo

Ensamble