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Lady Macbeth of Mtsensk, Op. 29 Dmitri Dmitriyevich Shostakovich, National Moravian-Silesian Theatre

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Lady Macbeth of Mtsensk, Op. 29 Dmitri Dmitriyevich Shostakovich, National Moravian-Silesian Theatre

Lady Macbeth of Mtsensk, Op. 29, Shostakovich
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National Moravian-Silesian Theatre (2018/19)
Medvirkende:
Martin Bárta,
Jevhen Šokalo,
Josef Moravec,
Juraj Nociar,
Elena Suvorova,
Iordanka Derilova,
Vadim Zaplechny,
Veronika Holbová,
Soňa Godarská,
František Zahradníček,
Michal Onufer,
Jiří Halama,
Martin Holík,
Lukáš Zeman,
Marek Pobuda,
Martin Gurbaľ,
Bogdan Kurowski,
Aleš Voráček,
Rudolf Medňanský,
Václava Krejčí Housková,
Anna Nitrová,
Veronika Holbová,
Soňa Godarská,
Jakub Kettner,
David Nykl,
Lukáš Zeman,
Marek Pobuda,
Petr Urbanek,
Roman Vlkovič,
Jakub Kettner,
David Nykl,
Roman Vlkovič,
Václav Morys,
Václav Morys,
Aleš Burda,
Martin Holík,
Erik Ondruš,
Waldemar Wieczorek
23 september - 28 juni 2018/19 (4 forestillinger)
GenopsætningBesøg hjemmeside
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russisk
Antonín Dvořák Theatre, Ostrava, Czech Republic
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Oplysninger fra kunstorganisation (verificeret af Operabase)

Lady Macbeth of Mtsensk, Op. 29 by Shostakovich, fre. 21 juni 2019, Fra (2018/2019), Instrueret af Jiří Nekvasil, Dirigent Jakub Klecker, Sander Teepen, Antonín Dvořák Theatre, Ostrava, Czech Republic

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Lady Macbeth of Mtsensk, Op. 29, Shostakovich
OperaStaged
A seminal work of 20th-century operatic literature, it is a "tragedy-satire" of a corrupt society springing from the unruly power of sexuality. She is embodied by Kateřina, a frustrated and oppressed housewife who leaves corpses behind. Shostakovich played this progressive dissonant game of brutal emotionality using soloist concert instruments, choirs and intermezzos. The opera initially achieved a deafening success in almost 180 reprises, but during the period of Stalinist terror, the composer was soon tried in the distorted article Chaos instead of Music (1936), and the opera did not see another performance until the 1960s.
Om info findes på: English, čeština

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