Organization

Śpiewak

Tenor

Tony Bardon

Torquemada

Sopran

Yolanda Covacinschi

Concepción

Adorján Pataki

Gonzalve

Baryton

Ottó Peti Tamás

Ramiro

Róbert Laczkó Vass

Don Iñigo Gomez

Reżyseria

Gábor Tompa

Dyrygent

György Selmeczi

Kostiumy

Carmencita Brojboiu

Scenografia

Choreografia

Melinda Jakab

Employee of director

Péter Venczel

Corrector

Katalin G. Incze

Concert master

Sándor Barabás

Faculty Director

Szabolcs Kulcsar

Kontralt

Maman

Mezzosopran

Veress Orsolya

L'Enfant

Sándor Árpád

Le Fauteuil

L'Arbre

Pataki Enikő

La Chouette

L'Horloge Comtoise

Székely Zsejke

La Théière

Tímea Fülöp-Gergely

Le Feu

Lívia Antal

La Princesse

Zsombor Rétyi

Le Petit Vieillard

La Rainette

Judit Hary

La Chatte

Zsuzsa Barabás

La Chauve-souris

Un pâtre

Ibolya Vígh

Perch

Others

Children's Choir of Cluj-Napoca

KMO choir

Orchestra

KMO orchestra

Opera Maghiară din Cluj-Napoca

L'Enfant et les sortilèges -  (Dziecko i czary)

Kluż-Napoka

Rumunia

Opera Maghiară

Public

Dziecko i czary

Hiszpańska godzina

Approved

Director Gábor Tompa said in connection with the presentation: “The two single-act, The Shepherd's Clock and The Child and Magic, are also close to me in terms of genre, because they are special appearances of a dramaturgy in Feydeau. The Shepherd is practically grotesque vaudeville while there are many autobiographical elements in it, while The Child and Magic is a kind of surreal vision. I tried to bring the two operas together so that they would somehow be the child's vision and dream. ”

 

György Selmeczi , the conductor of the performance, said: “Ravel is a cornerstone of French music culture. It’s no coincidence that we’re considered the greatest master of orchestration, he really immerses himself in an almost gourmet way of accumulating tonal variety. Ravel is a real geometry, obsessed with structural symmetry. ”

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Ensemble