Name: LI-TAI-PE
Start: 2022-05-22T00:00:00.000Z
End: 2022-06-24T00:00:00.000Z
Location: Opernhaus

Organization

Chorus master

Marko Medved

Singer

Joachim Goltz

Kaiser Hüan-Tsung

Mark Morouse

Mirko Roschkowski

Dichter Li-Tai-Pe

Giorgos Kanaris

Ho-Tschi-Tschang, Doktor d Kais. Akad

Tobias Schabel

Yang-Kwei-Tschung, Erster Minister

Johannes Mertes

Kao-Li-Tse, Kommandant der Garden

Martin Tzonev

Ein Herold

Kieran Carrel

Ein Wirt

Pavel Kudinov

Ein Soldat

Ava Gesell

Fei-Yen, eine koreanische Prinzessin

Anna Princeva

Yang-Gui-Fe, ein Mädchen aus dem Volke

Conductor

Hermes Helfricht

Stage director

Adriana Altaras

Set designer

Christoph Schubiger

Costume designer

Nina Lepilina

Dramaturge

Andreas KW Meyer

Director of Studies

Pauli Jämsä

Inspector

Barbara Schroeder

Lighting designer

Boris Kahnert

Assistant director & evening director

Ruben Michael

Idilsu Yaman

Stage Design Assistant

Ansgar Baradoy

Santiago Sánchez

Matthias Koziorowski

Tae Hwan Yun

1. Mandarin

Alexander Kalina

2. Mandarin

Juhwan Cho

3. Mandarin

Ricardo Llamas Márquez

4. Mandarin

Theater Bonn

Orchestra

Beethoven Orchester Bonn

Others

Choir of the Bonn Theater

Extrachor des Theater Bonn

LI-TAI-PE

Bonn

Germany

Opernhaus

Public

Approved

The name Clemens von Franckenstein means something to few, at most some still think of his work as director, first in Wiesbaden, finally - after the death of Anton von Speidel - from 1912 as director of the Munich Court Opera. Through the appointment of Hans Knappertsbusch and through the design of a repertoire that is still exemplary today, he gave the Bavarian State Opera a brilliant character, who was appointed general director in 1914 until the year of the revolution in 1918 and then again from 1924 until his forced resignation in 1934. The immense importance of his cultural-political achievements is crowned by his own compositional work, which, particularly in the opera LI-TAI-PE, fuses elements of Wagner's neo-romanticism with exotic impressionism influenced by Debussy to create an unmistakable individual language. The opera, which was performed well into the 1940s, marks a high point in recent German music theater history. Which of course no one remembers!

how a hit of the repertoire could disappear so completely from the stage. This production will be recorded by Deutschlandfunk Kultur and broadcast with a time delay.

English

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Soubor