Organization

Wagner in Budapest

Dyrygent

Kompozytor / -ka (+2)

Peter Eötvös

Przygotowanie chóru

Przygotowanie chóru (+1)

Zoltán Pad

Sopran (+1)

Tetiana Zhuravel

Sopran

Mezzosopran (+4)

Szilvia Vörös

Mezzosopran

Chorus

Hungarian Radio Choir

Müpa Budapest

Orchestra

Concerto Budapest

It is my wish that nothing be named after me, but if it must, it should be the 'György Ligeti Dead End'." The artist once expressed this sentiment at the end of an interview after having confessed a few sentences earlier, "I am deeply dissatisfied with myself (…) I am constantly searching, but I can't find my own language and I always do something new." It is thanks to this constant search for a way forward that the composer's œuvre is full of exciting twists and turns. This centenary concert brings to life four stages in Ligeti's journey of discovery: works that have developed lives of their own, three of them orchestral and the fourth an oratorio. Melodien (1971), Clocks and Clouds (1972/73), San Francisco Polyphony (1973/74) and Requiem (1963-65) all represent the part of the composer's output from his years in the West, giving us the opportunity to encounter phenomena such as micropolyphony, the sound cloud, and the "meccanico" character. Tetiana Zhuravel and Szilvia Vörös, the singers joining the Hungarian Radio Choir and Concerto Budapest, are outstanding representatives of the younger generation, and Péter Eötvös was not only a lifelong friend of the older master's, he is also one of the leading experts on his works.

The concert will be preceded from 6.30 pm by a conversation entitled Prologue. For more information, please consult the Müpa Budapest website in the weeks leading up to the concert.

Ligeti 100

Obsada

Soprano

Mezzo-soprano

Załoga

Dyrygent

Przygotowanie chóru

Instrumentacja

Producent

Producent

Ensemble

Orkiestra

Chór

Współproducent

Współproducent

Zdjęcia

Szczegóły

Kompozytor / -ka

Opis

Synopsis produkcji