Name: London Concert Choir
Start: 2022-10-17T00:00:00.000Z
End: 2022-10-17T00:00:00.000Z
Location: Cadogan Hall

Organization

Conductor

Mark Forkgen

Singer

Soprano

Jessica Cale

Bethany Partridge

Tenor

Nathan Vale

Baritone

Laurence Williams

Others

London Concert Choir

Cadogan Hall

Counterpoint ensemble

London

United Kingdom

London Concert Choir: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Bass

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Mozart’s C-minor Mass was composed as a thanksgiving for his marriage and a showcase for the talents of his wife, the soprano Constanze Weber, who was a soloist in the first performance in 1783 in Salzburg. Although what has survived is an incomplete setting of the Mass, the unfinished work is considered a masterpiece of church music, which has been described as Mozart’s ‘entirely personal coming to terms with God and his art’.

Symphony No. 36, one of the sunniest and most life-affirming of all the later symphonies, is on a grand scale. Mozart produced it at breakneck speed for a concert in the town of Linz where he and Constanze stayed on the way home from Salzburg to Vienna.

The poignant devotional motet Ave Verum Corpus (Hail, True Body) was written for the Feast of Corpus Christi in June 1791, only six months before Mozart’s death.

English

London Concert Choir by Various, al. 17 urr. 2022, Noiztik (2022/2022), Zuzendaria Mark Forkgen, Cadogan Hall, London, United Kingdom

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