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Teatro alla Scala

MusikTheater an der Wien

Dyrygent

Dyrygent (+7)

Christophe Rousset

Reżyseria

Reżyseria (+4)

Laurent Pelly

Scenografia

Massimo Troncanetti

Reżyseria światła

Reżyseria światła (+1)

Marco Giusti

Choreograf

Lionel Hoche

Baryton (+3)

Pietro Spagnoli

Fallito

Mattia Olivieri

Delirio

Tenor

Giovanni Sala

Sospiro

Tenor (+2)

Josh Lovell

Ritornello

Sopran (+3)

Julie Fuchs

La Stonatrilla

Sopran (+1)

Andrea Carroll

La Smorfiosa

Sopran (+2)

Serena Gamberoni

La Porporina

Baryton (+1)

Alessio Arduini

Passagallo

Tenor (+6)

Alberto Allegrezza

Bragherona

Kontratenor (+4)

Lawrence Zazzo

Befana

Kontratenor (+5)

Filippo Mineccia

Caverna

Orchestra

Les Talens Lyriques

Orchestra del Teatro alla Scala

Kostiumy

La Scala has recently undertaken the systematic rediscovery of the Italian roots of melodrama. After looking to Venice (La Calisto by Cavalli and L’Orontea by Cesti) and Naples (Vinci’s Li zite ’ngalera), in 2025 the theatre presents an encounter of two of Italy’s premier poets, Pietro Metastasio and Ranieri de’ Calzabigi, with a Bohemian who made Venice his second home, Florian Leopold Gassman, court composer for Joseph II and Antonio Salieri’s teacher. The latter’s Opera seria, presented in Vienna in 1769 and here conducted by Christophe Rousset in a new production by Laurent Pelly with a stellar cast of young talents, is an irresistible satire of the theatre world that aptly conveys the koinè of the Gluckian reform, in which librettist Calzabigi figured prominently.

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