Admin

Organization

Stage director

Claudia Meyer

Set designer

Costume designer

Regine Standfuß

Video designer

Ron Petraß

Chorus master

Christian Möbius

Dramaturge

Katharina Duda

Singer

Soprano

Ketevan Chuntishvili

Euridice

Tenor

Daniel Foki

Orfeo

Rahel Brede

Music

The nymph

The messenger

Dirk Kleinke

First spirit

Thorsten Coers

Second spirit

Echo

Conductor

Johannes Zurl

Musical assistance

Frank Bernard

Andreas Simon

Choir assistant

Christian Georgi

Bass

Ulrich Schneider

Caronte

Philip Mayers

Pluto

First shepherd

Second shepherd

Instrumentalist

Michael Wilhelmi

Staatstheater Cottbus

Orchestra

Philharmonisches Orchester des Staatstheater Cottbus

Others

Opernchor des Staatstheater Cottbus

olasz

német

L'Orfeo -  (Orfeo)

Cottbus

Germany

Kammerbühne

L'Orfeo Monteverdi

Public

Approved

A modern myth based on the opera by Claudio Monteverdi Musical adaptation and new composition by Michael Wilhelmi Performance in Italian and German with German surtitles World premiere Who else could be the opera's first hero than Orpheus, the ancient mythical singer? The artist, the musician, who overcomes death with his tones, is the incarnate symbol of this art form. For just a moment, he frees his beloved from the underworld before she disappears back into the shadows. And in terms of content, the opera from 1607 already contains everything that has driven music theater since then: death, emotional excess or (bar) measure, the power of love and the power of music. But where is Eurydice? Is she just the shadow in Orpheus' story? What are her wishes and does she even want to come back from the underworld? Claudio Monteverdi wrote his ORFEO in the spirit of the Florentina Camerata, an association of musicians concerned with a musical revival of ancient tragedy. In pursuit of this, the composer Michael Wilhelmi and the director Claudia Meyer translate Monteverdi's music into the present day in their adaptation. Musical arrangements, film sequences and texts from contemporary literature breathe new life into the "dramma per musica", this musical drama from the 17th century. The focus is on a timeless question: how to live after the loss of a loved one? PREMIERE DEC 4, 2021 O Big House Website: In their adaptation, the composer Michael Wilhelmi and the director Claudia Meyer translate Monteverdi's music into the present day. Musical arrangements, film sequences and texts from contemporary literature breathe new life into the "dramma per musica", this musical drama from the 17th century. The focus is on a timeless question: how to live after the loss of a loved one? PREMIERE DEC 4, 2021 O Big House Website: In their adaptation, the composer Michael Wilhelmi and the director Claudia Meyer translate Monteverdi's music into the present day. Musical arrangements, film sequences and texts from contemporary literature breathe new life into the "dramma per musica", this musical drama from the 17th century. The focus is on a timeless question: how to live after the loss of a loved one? House Website:https://www.staatstheater-cottbus.de/

Who but Orpheus, the ancient mythical singer, could be the opera's first hero? The artist, the musician, who overcomes death with his tones, is the incarnate symbol of this art form. For just a moment, he frees his beloved from the underworld before she disappears back into the shadows. And in terms of content, the opera from 1607 already contains everything that has driven music theater since then: death, emotional excess or (bar) measure, the power of love and the power of music. But where is Eurydice? Is she just the shadow in Orpheus' story? What are her wishes and does she even want to come back from the underworld?

Claudio Monteverdi wrote his ORFEO in the spirit of the Florentina Camerata, an association of musicians concerned with a musical revival of ancient tragedy. In pursuit of this, the composer Michael Wilhelmi and the director Claudia Meyer translate Monteverdi's music into the present day in their adaptation. Musical arrangements, film sequences and texts from contemporary literature breathe new life into the "dramma per musica", this musical drama from the 17th century. The focus is on a timeless question: how to live after the loss of a loved one?

English

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