Organization

Lucerne Festival zu Ostern

Conductor

Riccardo Chailly

Singer

Andrè Schuen

Voice

Orchestra

Lucerne Festival Orchestra

Lucerne Festival Orchestra 4

Lucerne

Switzerland

Symphony No. 1 in D Major Mahler,G

Public

Symphony No. 1

Songs of a Wayfarer

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Contralto

Bass-baritone

Bass

Soprano

Mezzo-soprano

Baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

The  Songs of a Journeyman are Gustav Mahler's earliest masterpiece. He composed it in 1884/85 when he was unhappily in love with the soprano Johanna Richter, and this experience, but also his dream of a "beautiful world" characterize the verses he wrote himself and the music. The cycle will be performed by the young South Tyrolean baritone Andrè Schuen, who causes a sensation as an opera star and is at the same time a first-class interpreter of lieder. A little later, Mahler also quoted the Gesellen-Lieder in his First Symphony, which collaged very heterogeneous sound spheres and provided the model for a “diverse” work of art. The music should sound “like a natural sound” is the playing instruction for the first movement, which plays with the alienated cuckoo call. In the symphony, Mahler also uses folk music echoes of the Ländler and the waltz. In the third movement, he presents the canon Frère Jacques as a funeral march in a ghastly minor variant – and counteracts this "funeral" with the "merriment and banality of an interfering Bohemian band of musicians". A sound experience!

English

Die Lieder eines fahrenden Gesellen sind Gustav Mahlers frühestes Meisterwerk. Er schuf sie 1884/85, als er unglücklich in die Sopranistin Johanna Richter verliebt war, und diese Erfahrung, aber auch sein Traum von einer «schönen Welt» prägen die von ihm selbst gedichteten Verse und die Musik. Vorgetragen wird der Zyklus vom jungen Südtiroler Bariton Andrè Schuen, der als Opernstar für Furore sorgt und zugleich ein Liedinterpret ersten Ranges ist. Die Gesellen-Lieder zitierte Mahler wenig später auch in seiner Ersten Sinfonie, die ganz heterogene Klangsphären collagiert und das Musterbild eines «diversen» Kunstwerks abgibt. «Wie ein Naturlaut» solle die Musik klingen, lautet die Spielanweisung zum Kopfsatz, der mit dem verfremdeten Kuckucksruf spielt. Mahler verwendet in der Sinfonie auch volksmusikalische Anklänge an den Ländler und den Walzer. Im dritten Satz präsentiert er den Kanon Frère Jacques als Trauermarsch in einer schauerlichen Moll Variante – und konterkariert dieses «Leichenbegängnis» durch die «Lustigkeit und Banalität einer sich dreinmischenden böhmischen Musikantenkapelle». Ein Klangerlebnis!

Deutsch

Lucerne Festival Orchestra 4 by Mahler, Minn (2022/2022), Surmast Direttur Riccardo Chailly

Krediti ta' prestazzjoni (Il-Kast & l-Ekwipaġġ )

Ensemble

Programm, Dwar & Sinossi

Ritratti

Aktar qari

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