Organization

Stage director

Sam Brown

Conductor

Andreas Hotz

Director of Studies

Markus Lafleur

Musical Preparation

JungYong Kim

Chorus master

Sierd Quarré

Musical assistance and Nachdirigat

Daniel Inbal

Set designer

Bengt Gomér

Video designer

Per Rydnert

Costume designer

Sarah Mittenbühler

Dramaturge

Juliane Piontek

Lighting designer

Julian Rickert

Sound designer

Ralf Berning

Singer

Bass

Matteo Maria Ferretti

Raymond Bidebent

Soprano

Sophia Theodorides

Lucy

Baritone

Rhys Jenkins

Lord Henry Ashton

Tenor

Oreste Cosimo

Sir Edgar of Ravenswood

James Edgar Knight

Lord Arthur Bucklaw

Mezzo-soprano

Olga Privalova

Alice

Erik Rousi

Aljoscha Lennert

Norman

Jessica Rose Cambio

Theater Osnabrück

Others

Opera choir of the Osnabrück Theater

Orchestra

Osnabrücker Symphonieorchester

Statisterie des Theaters Osnabrück

Extra choir of the Osnabrück Theater

italština

Lucia di Lammermoor -  (Lucia of Lammermoor)

Osnabrück

Germany

Theater am Domhof

Lucia di Lammermoor Donizetti

Public

Lucia of Lammermoor

němčina

Approved

Trailer Lucia di Lammermoor Theater Osnabrück

Lucia di Lammermoor - Theater Osnabrück

Behind the scenes: costume designer Sarah Mittenbühler

In the mists of medieval Scotland, a deep love blossoms between Lucia and Edgardo. But it is a love that must not be, because Lucia and Edgardo belong to deadly hostile families, similar to Romeo and Juliet in Verona. In order to save the existence of his family clan, Lucia's brother Enrico Ashton wants to marry her off to the influential Lord Arturo Bucklaw. Only after a forged letter accusing Edgardo of being unfaithful to his beloved Lucia did she agree to marry Arturo – a fatal decision with bloody consequences. On the wedding night, Lucia kills her newly wed husband and succumbs to madness, which leads to her and ultimately Edgardo's death.

A climate of longing and mysticism prevails in Lucia di Lammermoor, the tragic main work by Gaetano Donizetti and at the same time the prototype of Italian romantic opera par excellence. Since the premiere in 1835, the opera audience has been gripped by an eerily beautiful feeling at the latest when Lucia, who has gone mad because of abused feelings, staggers bloodstained in front of the party and with the words "Il dolce suono mi colpì di sua voce!" - "The sweet sound of his voice hit me!” intones one of the most famous arias, which to this day is one of the absolute greatest moments of bel canto and after more than forty years can finally be experienced again in Osnabrück.

English

Výkonnostní kredity (Obsazení a štáb )

Obsazení

Osádka

Soubor