Organization

Mise en scène

Sam Brown

Direction d'orchestre

Andreas Hotz

Director of Studies

Markus Lafleur

Musical Preparation

JungYong Kim

Direction de choeur

Sierd Quarré

Musical assistance and Nachdirigat

Daniel Inbal

Décors

Bengt Gomér

Video

Per Rydnert

Costumes

Sarah Mittenbühler

Dramaturgie

Juliane Piontek

Lumières

Julian Rickert

Ralf Berning

Chanteur

Basse

Matteo Maria Ferretti

Raymond Bidebent

Soprano

Sophia Theodorides

Lucie

Baryton

Rhys Jenkins

Henri Ashton

Ténor

Oreste Cosimo

Edgar de Ravenswood

James Edgar Knight

Arthur Bucklaw

Mezzo-soprano

Olga Privalova

Alisa

Erik Rousi

Aljoscha Lennert

Normanno

Jessica Rose Cambio

Theater Osnabrück

Others

Opera choir of the Osnabrück Theater

Orchestra

Osnabrücker Symphonieorchester

Statisterie des Theaters Osnabrück

Extra choir of the Osnabrück Theater

italien

Lucia di Lammermoor -  (Lucie de Lammermoor)

Osnabrück

Allemagne

Theater am Domhof

Lucia di Lammermoor Donizetti

Public

Lucie de Lammermoor

allemand

Valide

Trailer Lucia di Lammermoor Theater Osnabrück

Lucia di Lammermoor - Theater Osnabrück

Behind the scenes: costume designer Sarah Mittenbühler

In the mists of medieval Scotland, a deep love blossoms between Lucia and Edgardo. But it is a love that must not be, because Lucia and Edgardo belong to deadly hostile families, similar to Romeo and Juliet in Verona. In order to save the existence of his family clan, Lucia's brother Enrico Ashton wants to marry her off to the influential Lord Arturo Bucklaw. Only after a forged letter accusing Edgardo of being unfaithful to his beloved Lucia did she agree to marry Arturo – a fatal decision with bloody consequences. On the wedding night, Lucia kills her newly wed husband and succumbs to madness, which leads to her and ultimately Edgardo's death.

A climate of longing and mysticism prevails in Lucia di Lammermoor, the tragic main work by Gaetano Donizetti and at the same time the prototype of Italian romantic opera par excellence. Since the premiere in 1835, the opera audience has been gripped by an eerily beautiful feeling at the latest when Lucia, who has gone mad because of abused feelings, staggers bloodstained in front of the party and with the words "Il dolce suono mi colpì di sua voce!" - "The sweet sound of his voice hit me!” intones one of the most famous arias, which to this day is one of the absolute greatest moments of bel canto and after more than forty years can finally be experienced again in Osnabrück.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble