Name: Lucia di Lammermoor
Start: 2021-10-03T00:00:00.000Z
End: 2022-07-21T00:00:00.000Z
Location: Stanislavsky and Nemirovich-Danchenko Music Theater

Organization

Libretto

Salvatore Cammarano

Śpiewak

Sopran

Evgenia Afanasieva

Łucja

Daria Terekhova

Baryton

Dmitry Zuev

Enrico

Andrej Baturkin

Tenor

Chingis Ayusheev

Edgardo

Kirill Zolochevsky

Arturo

Aleksandr Nesterenko

Mezzosopran

Veronika Viatkina

Alisa

Ella Feiginova

Anastasia Khoroshilova

Roman Ulybin

Raimondo

Dmitry Ulyanov

Evgeny Liberman

Normano

Valery Mikitsky

Reżyseria

Adolf Shapiro

Dyrygent

Felix Korobov

Wolf Gorelik

Reżyseria światła

Gleb Filshtinsky

Kostiumy

Elena Stepanova

Scenografia

Andris Freibergs

Wideo

Katrīna Neiburga

Choreografia

Mikhail Kislyarov

Stanislavsky and Nemirovich-Danchenko Academic Music Theatre

włoski

Lucia di Lammermoor -  (Łucja z Lammermooru)

Moskwa

Rosja

Stanislavsky and Nemirovich-Danchenko Music Theater

Main stage

Lucia di Lammermoor Donizetti

Public

Łucja z Lammermooru

Approved

Опера Гаэтано ДоницеттиМузыкальный руководитель и дирижер: Вольф ГореликДирижер: Феликс КоробовРежиссер-постановщик: Адольф ШапироСценограф: Андрис Фрейбергс...

Лючия ди Ламмермур/Lucia Di Lammermoor

The premiere of Lucia di Lammermoor took place in 1835 in San Carlo, Neapolitan. In addition to his interest in Walter Scott's novel The Lammermoor Bride - by then more than once adapted to opera - the composer Donizetti had a personal interest in the plot: one of his ancestors, Donald Isett, was a Scotsman.

Despite the dizzying difficulties for the performers, and perhaps precisely because of them, this work by Donizetti is one of the most repertoire in the world. The first Lucia was the beautiful Fanny Takkinardi-Persiani. In the 19th and 20th centuries, all the legendary opera divas shone in this role: Adeline Patti, Lily Pons, Joan Sutherland, Maria Callas, Beverly Sills, Renata Scotto, Edita Gruberova. The heights of the transcendental coloratura of the heroine Donizetti are also storming the prima donnas of the 21st century. The tenors also strive to share their fame, for which the composer has reserved extremely high notes for the end of the opera

Lucia di Lammermoor has everything that is expected of an opera classics: wonderful, instantly memorable melodies, passionate love and equally passionate hatred against the backdrop of an old Scottish castle, a luxurious operatic prima donna and a tenor in love with her.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga