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Oper Frankfurt

Dyrygent

Dyrygent (+1)

Thomas Guggeis

Reżyseria

Reżyseria (+1)

Nadja Loschky

Scenografia

Scenografia (+1)

Katharina Schlipf

Kostiumy

Kostiumy (+1)

Irina Spreckelmeyer

Reżyseria światła

Reżyseria światła (+1)

Jan Hartmann

Dramaturgia

Dramaturgia (+1)

Mareike Wink

Baryton (+2)

Simon Neal

Dr Schön

Jack the Ripper

Tenor (+1)

AJ Glueckert

Alwa

Mezzosopran (+3)

Claudia Mahnke

Gräfin Geschwitz

Tenor (+2)

Theo Lebow

Der Maler

Bas - baryton (+3)

Kihwan Sim

Der Tierbändiger

Rodrigo (Ein Athlet)

Bas (+4)

Alfred Reiter

Schigolch

Mezzosopran (+2)

Bianca Andrew

Ein Groom

Ein Theatergardrobiere

Ein Gymnasiast

Michael Porter

Der Prinz

Der Kammerdiener

Der Marquis

Božidar Smiljanić

Der Theaterdirektor

Bas - baryton (+7)

Erik Van Heyningen

Der Bankier

Der Professor

Sopran (+2)

Anna Nekhames

Eine Fünfzehnjährige

Kontralt (+4)

Katharina Magiera

Ihre Mutter

Cecelia Hall

Die Kunstgewerblerin

Der Medizinalrat

Orchestra

Frankfurter Opern- und Museumsorchester

Brenda Rae

Lulu

Dyrektor Artystyczny

Dramaturgia (+3)

Yvonne Gebauer

Ein Diener

Baryton (+4)

Leon Tchakachow

Ein Journalist

Taniec (+4)

Evie Poaros

Tanzerin

Korepetytor /- ka

Dyrygent (+4)

Takeshi Moriuchi

Opernhaus

Ein Clown

Based on Frank Wedekind's tragedies Earth Spirit and Pandora's Box, Alban Berg began work on his Lulu in 1928, but he was no longer able to complete it himself. When the composer died in 1935, the first and second acts were available in full orchestral scores; from the third act the piano partella with instrumentation details and around a third in Berg's instrumentation. The work premiered as Torso in Zurich in 1937, and the version, completed by Friedrich Cerha, was premiered around forty years later at the Paris Opera.

Berg developed the score of his Lulu consistently symmetrically and in twelve-tone technique following the example of his teacher Arnold Schönberg, to whom he dedicated the opera. While the main characters are characterized like leitmotifs, Berg plays virtuosically with a variety of timbres and with a wide variety of musical forms, which he combines into a larger whole through interludes, melodramatic and recitative passages. His music develops an expressivity that allows us to look deeply into the psyche of the characters. An opera that was supposed to revolutionize musical theater.

Lulu, Berg

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