Name: Lyubov k tryom apelsinam
Start: 2011-01-29T00:00:00.000Z
End: 2011-05-06T00:00:00.000Z
Location: Musiktheater im Revier

Organization

Singer

Bass

Bjørn Waag

Tchelio

Nikolai Miassojedov

King of Clubs

Tenor

Lars-Oliver Rühl

The Prince

Contralto

Gudrun Pelker

Princess Clarice

Baritone

Dong-Won Seo

Leandro

William Saetre

Truffaldino

Piotr Prochera

Pantalone

Mohsen Rashidkhan

Soprano

Noriko Ogawa-Yatake

Fata Morgana

Majken Bjerno

Engjellushe Duka

Linetta

Mezzo-soprano

Dorin Rahardja

Nicoletta

Alfia Kamalova

Ninetta

Joachim G Maaß

Cook

Charles Moulton

Farfarello

Almuth Herbst

Smeraldina

Georg Hansen

Master of Ceremonies

The Herald

Conductor

Rasmus Baumann

Aurélien Bello

Stage director

Elmar Gehlen

Costume designer

Martina Feldmann

Set designer

Dramaturge

Anna Grundmeier

Chorus master

Musiktheater im Revier

독일어

Lyubov k tryom apelsinam -  (The Love for Three Oranges)

Gelsenkirchen

Germany

Lyubov k tryom apelsinam Prokofiev,S

Public

The Love for Three Oranges

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

King Treff wants to cure his son of melancholy. Pantalone recommends the jester Truffaldino as a healer. This calls three conspirators into action who plan the death of the prince. The battle is fought at a higher level by the sorceress Fata Morgana and the sorcerer Celio. And of all things, a clumsiness on the part of the sorceress finally makes the prince laugh. In revenge, she condemns him to fall in love with three oranges. These turn out to be three princesses. Two of them are doomed to die and only the third, Princess Ninetta, wins the prince's love. But then Ninetta is turned into a rat, so that the happy ending has to wait a long time before the villains are destroyed.
What seems like a grotesque puppet show with extremely lively people in the hands of the composer is in reality the fulfillment of an artistic dream, in the middle of the creation of a piece the theater can become a reflection of human contradictions. As vehemently as the Russian futurist Vsevolod Meyerhold – the opera goes back to a grotesque divertissement by him, among other things – defended himself against realistic psychological theater, Prokofiev struggled just as relentlessly in a veritable intoxication of music and voices for a work directed against romantic music drama: In the spirit of Italian impromptu comedy, opera buffa celebrates its rebirth as a completely new, autonomous art.

English

König Treff will seinen Sohn von der Schwermut kurieren. Pantalone empfiehlt als Heiler den Spaßmacher Truffaldino. Das ruft drei Verschwörer auf den Plan, die den Tod des Prinzen planen. Der Kampf wird auf höherer Ebene von der Zauberin Fata Morgana und vom Zauberer Celio ausgefochten. Und ausgerechnet eine Ungeschicktheit der Zauberin lässt den Prinzen endlich lachen. Aus Rache verdammt sie ihn dazu, sich in drei Orangen zu verlieben. Diese entpuppen sich als drei Prinzessinnen. Zwei davon sind dem Tod geweiht und nur die dritte, Prinzessin Ninetta, erringt die Liebe des Prinzen. Dann aber wird Ninetta in eine Ratte verwandelt, sodass das glückliche Ende noch einen Schuss und die Vernichtung der Bösewichter lang warten muss.
Was wie ein groteskes Puppenspiel mit höchst lebendigen Menschen in des Komponisten Hand wirkt, ist in Wahrheit die Erfüllung eines künstlerischen Traums, mitten in der Entstehung eines Stücks könne das Theater zur Spiegelung menschlicher Widersprüche werden. So vehement, wie sich der russische Futurist Wsewolod Meyerhold – auf ein groteskes Divertissement von ihm geht die Oper u.a. zurück – gegen das realistische psychologische Theater wehrt, so unnachgiebig ringt Prokofjew in einem wahren Musik- und Stimmenrausch um ein gegen das romantische Musikdrama gerichtetes Werk: Die Opera buffa feiert aus dem Geist der italienischen Stegreifkomödie ihre Wiedergeburt als völlig neue, autonome Kunst.

Deutsch

The Love for Three Oranges by Prokofiev, 금 18 2월 2011, 에서 (2011/2011), 감독 Elmar Gehlen,, 지휘자 Rasmus Baumann, Aurélien Bello, Musiktheater im Revier, Gelsenkirchen, Germany

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사진

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