Organization

Dramaturgia

Konrad Kuhn

Reżyseria

RB Schlather

Dyrygent

Antonello Manacorda

Kostiumy

Doey Lüthi

Scenografia

Johannes Leiacker

Śpiewak

Sopran

Heather Engebretson

Madama Butterfly

Marjukka Tepponen

Mezzosopran

Zanda Švēde

Suzuki

Kelsey Lauritano

Baryton

Domen Križaj

Sharpless

Božidar Smiljanić

Tenor

Hans-Jürgen Lazar

Goro

Peter Marsh

Michael McCown

Książe Yamadori

Karolina Makuła

Kate Pinkerton

Reżyseria światła

Olaf Winter

Choreografia

Sonoko Kamimura-Ostern

Przygotowanie chóru

Álvaro Corral Matute

Vincenzo Costanzo

F.B. Pinkerton

Evan LeRoy Johnson

Kihwan Sim

Bonzo

Alfred Reiter

Nicolai Klawa

Urzędnik

Alexey Egorov

Yakuside

Julia Bell

Matka

Michael Schade

Ciotka

Alketa Hoxha

Kuzynka

Silent

Jakob Fritschi

Chłopiec

Pier Giorgio Morandi

Rodrigo Porras Garulo

Oper Frankfurt

Orchestra

Frankfurter Opern- und Museumsorchester

Others

Choir of the Frankfurt Opera

włoski

Madama Butterfly -  (Madame Butterfly)

Frankfurt nad Menem

Niemcy

Opernhaus

Public

Madame Butterfly

niemiecki

angielski

Approved

Madama Butterfly Puccini

Inszenierung R.B. SchlatherMusikalische Leitung Antonello ManacordaPremiere 22. Mai 2022Video © Thiemo HehlRedaktion Holger Engelhardt, Franziska Schmidt

Inszenierung R.B. Schlather
Musikalische Leitung Antonello Manacorda
Premiere 22. Mai 2022
Video © Thiemo Hehl
Redaktion Holger Engelhardt, Franziska Schmidt

After 20 years, Puccini's "Japanese Tragedy" will be staged in a new production on the stage of the Frankfurt Opera. When it premiered in Milan in 1904, the work was anything but a success. Puccini withdrew the score. It was not until the second version, premiered a few months later in Brescia, that the international triumph of the opera began. However, further revisions followed.

It tells the story of the geisha Cio-cio-san, called Butterfly, from Nagasaki. The American naval officer Pinkerton enters into a relationship with her that he considers to be a non-binding marriage of convenience to which he no longer feels bound after his departure. For Cio-cio-san, however, it is the bond for life. When Pinkerton returns years later and Butterfly realizes that he has meanwhile married another woman, that he even wants to take away their child, she puts an end to her life. In this, she follows the example of her father, who committed the traditional Japanese suicide Seppuku in order to protect his honor.

The music processes Far Eastern influences, which is in contrast to Pinkerton's drawing as a typical American. Whole-tone scales and five-note harmonies as well as exotic instruments create the atmosphere of an idealized Japan from a western perspective. However, Puccini's sense of the expressive melos comes into its own throughout, especially with the title character. Your big outbursts are deeply touching.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble