Organization

Cantante

Tenor

Mergen Sandanov

B.F. Pinkerton

Mezzosoprano

Tatia Jibladze

Suzuki

Maria Gulik

Barítono

Stefano Meo

Sharpless

Fred Hoffmann

Goro

Bajo

Matteo Maria Ferretti

Tío Bonzo

Hojoon Lee

Yamadori

Elizabeth Tredent

Kate Pinkerton

Slaw Rotmann

Tío Yakusidé

Andrzej Bernagiewicz

Comisionado Imperial

Junggeun Choi

Oficial del registro

Director(a) de escena

Joachim Rathke

Director(a) orquestal

Daniel Carlberg

Director(a) coral

Gerald Krammer

Lam Tran Dinh

Equipmen

Claudia Spielmann

Soprano

Agnieszka Hauzer

Cio-Cio-San

Elisabeth Raßbach-Külz

Tia de Cio-Cio-San

Cornelia Möhler

Prima de Cio-Cio-San

Anka Perfanova

Madre de Cio-Cio-San

Sergi Roca Bru

Diseñador(a) de vestuario/Figurinista

Theater Kiel

Others

Opernchor des Theaters Kiel

italiano

Madama Butterfly

Kiel

Alemania

Opernhaus Kiel

MADAME BUTTERFLY

Public

Private

alemán

Válido

Madama Butterfly Puccini

Puccinis »Madame Butterfly« war bei der Uraufführung an der Mailänder Scala 1904 zwar der größte Misserfolg seines Lebens, wurde nach mehreren Überarbeitunge...

Nagasaki, around 1900: The geisha Cio-Cio-San, known as Madame Butterfly, is sold by the Japanese marriage agent Goro to the American naval officer Benjamin Franklin Pinkerton for 100 yen. While Pinkerton sees his connection to Cio-Cio-San as "temporary marriage" and vacation enjoyment, Cio-Cio-San considers himself to be his legally wedded wife. Even when he left her in Japan, she believed in vain for three years in his return to her. One day, however, Pinkerton and his American wife Kate appear in Nagasaki to take their child with them to the United States. Cio-Cio-San's illusion of a future together with Pinkerton has been shattered. She only knows one way out of her misfortune ...

Puccini's “Madame Butterfly” was the biggest failure of his life when it was premiered at La Scala in Milan in 1904, but after several revisions it became one of the most frequently performed operas in the repertoire and is one of the prime examples thanks to its colorful, highly emotional and exotic soundscape the entire genus. The European view of two foreign cultures, »Japan« and the »USA«, is at the center of this piece about cultural and gender conflicts, which in 2021 will have to ask completely new questions. The Kiel director Joachim Rathke undertakes this new survey together with the designer Claudia Spielmann, who is very familiar with Japan, in a reading that can also be interpreted as an homage to the genre »opera«.

English

Madama Butterfly by Puccini, De (2021/2022), Dirigido por Joachim Rathke,, Director Daniel Carlberg, Sergi Roca Bru, Opernhaus Kiel, Kiel, Alemania

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