Organization

Director(a) de escena

Jiří Heřman

Diseñador(a) de iluminación

Daniel Tesař

Diseñador(a) de vestuario/Figurinista

Alexandra Grusková

Escenógrafo(a)

Jan Lukášek

Dramaturgia

Patricie Částková

Ondřej Hučín

Director(a) coral

Adolf Melichar

Cantante

Tenor

Peter Berger

B.F. Pinkerton

Mezzosoprano

Jana Sýkorová

Suzuki

Michaela Zajmi

Barítono

Pavol Kubán

Sharpless

Václav Sibera

Goro

Csaba Kotlár

Yamadori

Igor Loškár

Lenka Pavlovič

Kate Pinkerton

Erika Vocelová Jarkovská

Bajo

Tomáš Foltýnek

Tío Yakusidé

Michael Skalický

Soprano

Gabriela Pešinová

Tia de Cio-Cio-San

Eliška Mourečková

Prima de Cio-Cio-San

Petra Břicháčová

Soňa Koczianová

Madre de Cio-Cio-San

Markéta Frýdová

Libor Novák

Oficial del registro

Papel mudo

Jan Adam

Dolor

Coreógrafo(a)

Lucie Hayashi

Roman Vocel

Comisionado Imperial

Director(a) orquestal

Andriy Yurkevych

Jiří Štrunc

Diseñador(a) de video

Larva Bartoš

Csilla Boross

Cio-Cio-San

Olga Busuioc

Valentyn Dytiuk

Svatopluk Sem

Zdeněk Plech

Tío Bonzo

National Theatre Prague

Others

State Opera Chorus

Orchestra

State Opera Orchestra

italiano

Madama Butterfly

Praga

Chequia

Státní Opera Praha (The State Opera)

Madama Butterfly Puccini

Public

Saurav Kumar

checo

inglés

Válido

„Butterfly“ je bezesporu jednou z divácky nejúspěšnějších a zároveň umělecky nejcennějších oper všech dob. Z Pucciniho děl má přitom snad tu nejjednodušší, v...

The opera is named after the renowned short story Madame Butterfly by the American lawyer and author John Luther Long, which served as the basis for a drama by the New York impresario and playwright David Belasco, which in turn directly inspired Puccini to compose his celebrated opera.

In Madama Butterfly, Puccini eschewed intricate action and boisterous dramatic events, opting instead for an intimate story and highlighting the psychology of the characters, fleshing out by his music the tiniest details, oscillations and extreme emotional surges. The contrast between the Japanese and “Western” mentality is also aptly rendered by means of many a time surprisingly modified quotations of the US national anthem, as well as a forcible depiction of the local colour of Japan. This facet is captured in Jiří Heřman’s production, which authentically represents the Japanese culture and its traditional customs. The stage director tells the well-known story in a non-traditional way – through the eyes of Cio-Cio San’s grown-up son, who traces his past in Nagasaki.

NOTE: Tobacco products are featured in the performance.

English

Créditos de presentación (Reparto & Equipo )

Elenco

Equipo

Ensamble