Name: Madama Butterfly
Start: 2022-01-19T00:00:00.000Z
End: 2022-05-28T00:00:00.000Z
Location: Samara Academic Theatre of Opera and Ballet

Organization

Maestro

Alexander Anisimov

Diretor de Palco

Dieter Martin Kaegi

Cenógrafo

Elena Solovyova

Estilista

Natalia Zemalindinova

Designer de Iluminação

Roman Krikunov

Mestre de Coro

Valerya Navrotskaya

Olga Safronova

Libretto

Luigi Illica

Giuseppe Giacosa

Soprano

Tatiana Gaivoronskaya

Cio-Cio-San

Tenor

Крыжский Дмитрий

B. F. Pinkerton

Mezzo-soprano

Natalia Frize

Suzuki

Barítono

Georgy Tsvetkov

Sharpless

Alexei Perov

Goro

Baixo

Шагалов Георгий

Bonzo

Samara Academic Theatre of Opera and Ballet

italiano

Madama Butterfly -  (Madame Butterfly)

Samara

Rússia

Madama Butterfly Puccini

Public

Madame Butterfly

russo

Approved

T. Gaivoronskaya, I. Govzich. Duet of Butterfly and Pinkerton from the opera "Madame Butterfly" by G. Puccini

Puccini was already a popular composer, whose operas were staged at the best theater in Italy - La Scala - when in 1900 in London he got to the performance of David Belasco's play "Madama Butterfly". A few years later, the story of a young geisha betrayed by an American sailor received a musical embodiment. The first production of Madama Butterfly failed. The stubborn Puccini refined the opera again and again and brought it to perfection. There is nothing random or ill-conceived in Butterfly.
The action of the opera takes place in Japan, and in order to create a real oriental flavor, Puccini communicated with the Japanese and studied the notes of Japanese songs. In "Madama Butterfly" there are no less than a dozen authentic melodies from the homeland of Cio-Cio-san. And in the orchestra, a whole palette of percussion instruments is responsible for Asian colors: Japanese bells, European glockenspiel keyboard bells, tubular bells and a gong.

Puccini masterfully builds up tension. In the first act, everything seems gentle, light and carefree - even the cynicism with which the marriage of Butterfly and Pinkerton is arranged. The second act is a painful contrast between Butterfly's unwavering hope and common sense. In the third act, the heroine's self-deception dissipates, and the denouement comes slowly and inevitably. Butterfly's monologue before she commits suicide is one of the most powerful operatic endings in history.

English

Madame Butterfly by Puccini, qua 19 jan 2022, De (2022/2022), Dirigido por Dieter Martin Kaegi,, Regente Alexander Anisimov, Samara Academic Theatre of Opera and Ballet, Samara, Rússia

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Programa, Sobre & Sinopse

Vídeos

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos