Name: Madama Butterfly
Start: 2022-01-19T00:00:00.000Z
End: 2022-05-28T00:00:00.000Z
Location: Samara Academic Theatre of Opera and Ballet

Organization

Дирижер

Alexander Anisimov

Режиссер-постановщик

Dieter Martin Kaegi

Художник-постановщик

Elena Solovyova

Художник по костюмам

Natalia Zemalindinova

Художник по свету

Roman Krikunov

Хормейстер

Valerya Navrotskaya

Olga Safronova

Сопрано

Tatiana Gaivoronskaya

Чио-Чио-Сан

Тенор

Крыжский Дмитрий

Пинкертон

Меццо-сопрано

Natalia Frize

Сузуки

Баритон

Georgy Tsvetkov

Шарпелес

Alexei Perov

Горо

Бас

Шагалов Георгий

Бонза

Самарский Академический Театр Оперы И Балета Имени Д.Д. Шостаковича

Samara Academic Theatre of Opera and Ballet

Либреттист

Либреттист (+1)

Luigi Illica

Giuseppe Giacosa

итальянский

Madama Butterfly -  (Мадам Баттерфляй)

Самара

Россия

Madama Butterfly Puccini

Staged

Oпера

Мадам Баттерфляй

русский

Одобрено

T. Gaivoronskaya, I. Govzich. Duet of Butterfly and Pinkerton from the opera "Madame Butterfly" by G. Puccini

Puccini was already a popular composer, whose operas were staged at the best theater in Italy - La Scala - when in 1900 in London he got to the performance of David Belasco's play "Madama Butterfly". A few years later, the story of a young geisha betrayed by an American sailor received a musical embodiment. The first production of Madama Butterfly failed. The stubborn Puccini refined the opera again and again and brought it to perfection. There is nothing random or ill-conceived in Butterfly.
The action of the opera takes place in Japan, and in order to create a real oriental flavor, Puccini communicated with the Japanese and studied the notes of Japanese songs. In "Madama Butterfly" there are no less than a dozen authentic melodies from the homeland of Cio-Cio-san. And in the orchestra, a whole palette of percussion instruments is responsible for Asian colors: Japanese bells, European glockenspiel keyboard bells, tubular bells and a gong.

Puccini masterfully builds up tension. In the first act, everything seems gentle, light and carefree - even the cynicism with which the marriage of Butterfly and Pinkerton is arranged. The second act is a painful contrast between Butterfly's unwavering hope and common sense. In the third act, the heroine's self-deception dissipates, and the denouement comes slowly and inevitably. Butterfly's monologue before she commits suicide is one of the most powerful operatic endings in history.

English

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