Artist

Admin

Conductor

Jacopo Sipari di Pescasseroli

Singer

Soprano

Sabina Cvilak Damjanovic

Cio-Cio-San

Mezzo-soprano

Irena Petkova

Suzuki

Baritone

Jaki Jurgec

Sharpless

Tenor

Dušan Topolovec

Goro

Set designer

Nicolás Boni

Costume designer

Luca Dall'Alpi

Lighting designer

Bruno Ciulli

Chorus master

Zsuzsa Budavari-Novak

Martin Sušnik

B.F. Pinkerton

Bogdan Stopar

Prince Yamadori

Bass

Alfonz Kodrič

Uncle Bonze

Jernej Luketič

Uncle Yakusidé

Sebastijan Čelofiga

The imperial commissioner

Bojan Hinteregger

The official registrar

Dada Kladenik

Cio-Cio San's mother

Lucija Krašovec

The cousin

Silent

Luka Aleksandar Jovicic

Sorrow

Rene Vujinić Cvilak

Opera and Ballet of Slovene National Theatre Maribor

Others

Opera Choir of the Slovene National Theater Maribor

Orchestra

Maribor Slovenian State Opera Orchestra

italština

Madama Butterfly -  (Madame Butterfly)

Madama Butterfly Puccini

Public

Madame Butterfly

Approved

Even before Tosca premiered at the Roman Opera in January 1900, Puccini was already intensively searching for a new theme or template for his next opera. Among the shortlist of suitable works were Maeterlinck's drama Pelléas et Mélisande, Hugo's epochal novel Les Misérables and Daudet's novel Tartarin de Tarascon. But it was only after a summer visit to London's Tosca production that he found his inspiration in the tragic one-act play Madame Butterfly: A Tragedy of Japan by David Belasco, dramatized as a dramatization of John Luther Long's Madame Butterfly short story York's Theater. Puccini was enthusiastic about the show, so he immediately hired his librettists, Illico and Giacoso, to begin drafting the text. As usual, it was Illice's job

English

Výkonnostní kredity (Obsazení a štáb )

Obsazení

Osádka

Soubor