Artist

Admin

Dirigent

Jacopo Sipari di Pescasseroli

Sångare

Soprano

Sabina Cvilak Damjanovic

Cio-Cio-San

Mezzo-soprano

Irena Petkova

Suzuki

Baritone

Jaki Jurgec

Sharpless

Tenor

Dušan Topolovec

Goro

Scenograf

Nicolás Boni

Kostym designer

Luca Dall'Alpi

Ljus designer

Bruno Ciulli

Körledare

Zsuzsa Budavari-Novak

Martin Sušnik

B.F. Pinkerton

Bogdan Stopar

Prins Yamadori

Bass

Alfonz Kodrič

Bonze

Jernej Luketič

Yakusidé

Sebastijan Čelofiga

Den kejserlige kommissarien

Bojan Hinteregger

Registreringstjänsteman

Dada Kladenik

Cio-Cio-Sans mamma

Lucija Krašovec

Cio-Cio-Sans Kusiner

Silent

Luka Aleksandar Jovicic

Sorg

Rene Vujinić Cvilak

Opera and Ballet of Slovene National Theatre Maribor

Others

Opera Choir of the Slovene National Theater Maribor

Orchestra

Maribor Slovenian State Opera Orchestra

italienska

Madama Butterfly -  (Madame Butterfly)

Madama Butterfly Puccini

Public

Madame Butterfly

Approved

Even before Tosca premiered at the Roman Opera in January 1900, Puccini was already intensively searching for a new theme or template for his next opera. Among the shortlist of suitable works were Maeterlinck's drama Pelléas et Mélisande, Hugo's epochal novel Les Misérables and Daudet's novel Tartarin de Tarascon. But it was only after a summer visit to London's Tosca production that he found his inspiration in the tragic one-act play Madame Butterfly: A Tragedy of Japan by David Belasco, dramatized as a dramatization of John Luther Long's Madame Butterfly short story York's Theater. Puccini was enthusiastic about the show, so he immediately hired his librettists, Illico and Giacoso, to begin drafting the text. As usual, it was Illice's job

English

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning

Ensemble