Organization

Cantante

Papel mudo

Alexander Ritter

Dolor

Bajo

Nicolai Karnolsky

Tío Bonzo

Rúni Brattaberg

Stage

Ginji Kashiwagi

Soprano

Mari Moriya

Cio-Cio-San

Mezzosoprano

Michal Doron

Suzuki

Director(a) orquestal

Ivan Repušić

Hrachuhí Bassénz

Tenor

Teodor Ilincai

B.F. Pinkerton

Barítono

Boris Pinkhasovich

Sharpless

Omer Meir Wellber

Director(a) de escena

Amon Miyamoto

Escenógrafo(a)

Boris Kudlička

Diseñador(a) de vestuario/Figurinista

Kenzo Takada

Diseñador(a) de iluminación

Fabio Antoci

Diseñador(a) de video

Bartek Macias

Maestro(a) de combate escénico

Director(a) coral

Jonathan Becker

Dramaturgia

Johann Casimir Eule

Kristīne Opolais

Christa Mayer

Nicole Chirka

Kate Pinkerton

Freddie De Tommaso

Gabriele Viviani

Aaron Pegram

Goro

Sebastian Wartig

Yamadori

Alexandros Stavrakakis

Rupert Grössinger

Comisionado Imperial

Pinkerton's son

Thomas Ebenstein

Semperoper Dresden

Royal Danish Opera

San Francisco Opera

Orchestra

Staatskapelle Dresden

Others

Sächsischer Staatsopernchor Dresden

Tokyo Nikikai Opera Foundation

italiano

Madama Butterfly

Dresde

Alemania

Semperoper

Madama Butterfly Puccini

Public

inglés

alemán

Válido

In his production of »Madama Butterfly«, the Japanese director Amon Miyamoto tells the story of Cio-Cio-San and Pinkerton from the point of view of the son of the two main characters. After the son receives a letter from his dying father at the beginning of the opera, he embarks on a journey of discovery that shows him the love of his parents. In our first making-of part, the Japanese director talks about his reading.

At the centre of Giacomo Puccini's Tragedia giapponese, set in Nagasaki at the beginning of the 20th century, is the young geisha Cio-Cio-San, called »Butterfly«. The American Naval Lieutenant Pinkerton enters into a short-term marriage with Cio-Cio-San – according to a possible practice in Japan at the time – and rents the right house for the stay. While for Pinkerton the liaison was planned from the outset as an erotic pleasure, for Cio-Cio-San it means not only the opportunity to escape poverty, but the love of her life ... Even today, the tragic love story, which premiered at La Scala in Milan in 1904, touches hearts, shaken by the realism with which the cultural misunderstandings and their deadly consequences are pointed out. Japanese director Amon Miyamoto, together with star designer Kenzō Takada, presents his own Eastern view of the Japanese-American liaison.

English

Madama Butterfly by Puccini, De (2022/2022), Dirigido por Amon Miyamoto,, Director Ivan Repušić, Omer Meir Wellber, Semperoper, Dresde, Alemania

Créditos de presentación (Reparto & Equipo )

Elenco

Equipo

Ensamble

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Programa, Acerca de & Sinopsis

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