Name: Madama Butterfly
Start: 2014-04-15T00:00:00.000Z
End: 2014-04-19T00:00:00.000Z
Location: Anthéa

Organization

Conductor

Győriványi György

Stage director

Daniel Benoin

Lighting designer

Set designer

Jean-Pierre Laporte

Costume designer

Nathalie Bérard-Benoin

Françoise Raybaud

Soprano

Cellia Costea

Cio-Cio-San

Mezzo-soprano

Svetlana Lifar

Suzuki

Deborah Leonetti

Kate Pinkerton

Baritone

Giuseppe Altomare

Sharpless

Bass

Ramaz Chikviladze

Uncle Bonze

Steven Cole

Tenor

Richard Rittelmann

Prince Yamadori

Jean-Luc Zakine

The official registrar

Anthéa

Madama Butterfly -  (Madame Butterfly)

Antibes

France

Public

Madame Butterfly

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Countertenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Madama Butterfly Puccini

l’histoire
US Navy Lieutenant Pinkerton is going to marry Madame Butterfly. Sharpless, the American consul in Nagasaki disapproves of Pinkerton's whim and the levity of his behavior because the young geisha is sincerely in love with the lieutenant. She even decides to renounce the religion of her ancestors and adopt her own. For this, she will be disowned by her family. Three years have passed. Butterfly, full of hope and confidence, is still waiting for Pinkerton. She is certain that he will hasten her return…

What they say
Madame Butterfly is one of Puccini's last operas, a sort of bridge between La Bohème and Turandot , between the simple love story impossible due to illness and the tyrannical empress who loves in spite of herself. In Madame Butterfly , no disease or excess of power but a real conflict of cultures, a clash of civilizations. Whether the American invasion is that of the end of the 19th century, the period in which Puccini places his opera, or when the conflict becomes terrifying (1941-1945), the story is the same: a victorious American officer facing a young Japanese fascinated by the man, his bearing, his victory and ready to sacrifice everything for his forbidden happiness. I preferred to choose the Nagasaki of August 45, after the A-bomb, to that after the cannon shots of the battleship Abraham Lincoln. The tensions are stronger, the drama more extreme, the folklore less present. It is this version that I will present in Antibes with the fervor of being present on the set of Anthéa for the first time and the nervousness that this can cause. Daniel Benoin

what they think
It was within the framework of the drama of Nagasaki in 1945 that director Daniel Benoin transposed the story of Puccini's opera. His show is incredibly powerful. Madame Butterfly is served by a marvelous soprano, Cellia Costea, who is admirable both vocally and dramatically. in the end it is not a bomb that explodes, but bravos. André Peyregne, Nice-Matin

English

Madame Butterfly by Puccini, ar. 15 api. 2014, Noiztik (2014/2014), Zuzendaria Daniel Benoin,, Zuzendaria Győriványi György, Anthéa, Antibes, France

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