Organization

Chanteur

Baryton

Pavol Kubán

Sharpless

Ténor

Csaba Kotlár

Le Prince Yamadori

Basse

Michael Skalický

Yakusidé

Soprano

Petra Břicháčová

La cousine

Libor Novák

L'officier d'État-civil

Rôle muet

Jan Adam

Dolore

Video

Larva Bartoš

Lucie Svačinková

La tante

Peter Berger

B.F. Pinkerton

Mezzo-soprano

Lenka Pavlovič

Kate Pinkerton

Václav Sibera

Goro

Roman Vocel

Le commissaire Impérial

Tomáš Foltýnek

Soňa Koczianová

La mère de Cio-Cio-San

Marketa Panska

Gabriela Pešinová

Eliška Sedláčková

Eliška Mourečková

Tereza Růžičková

Mise en scène

Jiří Heřman

Décors

Jan Lukášek

Costumes

Alexandra Grusková

Lumières

Daniel Tesař

Direction de choeur

Adolf Melichar

Dramaturgie

Ondřej Hučín

Patricie Částková

Csilla Boross

Cio-Cio-San

Jana Sýkorová

Suzuki

Zdeněk Plech

Lo zio Bonzo (Le Bonze)

Svetlana Aksenova

Jiří Rajniš

Lunchmeat

Chorégraphie

Lucie Hayashi

Direction d'orchestre

Jiří Štrunc

Olga Busuioc

Michaela Zajmi

Valentyn Dytiuk

Svatopluk Sem

Igor Loškár

Erika Vocelová Jarkovská

Oleg Korotkov

Markéta Frýdová

Andriy Yurkevych

Others

State Opera Chorus

Orchestra

State Opera Orchestra

Ballet

State Opera Ballet

National Theatre Prague

italien

Madama Butterfly -  (Madame Butterfly)

Prague

Tchéquie

Státní Opera Praha (The State Opera)

Madama Butterfly

Public

Madame Butterfly

Saurav Kumar

State Opera

tchèque

anglais

Valide

„Butterfly“ je bezesporu jednou z divácky nejúspěšnějších a zároveň umělecky nejcennějších oper všech dob. Z Pucciniho děl má přitom snad tu nejjednodušší, v...

Madama Butterfly Puccini

The opera is named after the renowned short story Madame Butterfly by the American lawyer and author John Luther Long, which served as the basis for a drama by the New York impresario and playwright David Belasco, which in turn directly inspired Puccini to compose his celebrated opera.

In Madama Butterfly, Puccini eschewed intricate action and boisterous dramatic events, opting instead for an intimate story and highlighting the psychology of the characters, fleshing out by his music the tiniest details, oscillations and extreme emotional surges. The contrast between the Japanese and “Western” mentality is also aptly rendered by means of many a time surprisingly modified quotations of the US national anthem, as well as a forcible depiction of the local colour of Japan. This facet is captured in Jiří Heřman’s production, which authentically represents the Japanese culture and its traditional customs. The stage director tells the well-known story in a non-traditional way – through the eyes of Cio-Cio San’s grown-up son, who traces his past in Nagasaki.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble