Organization

Śpiewak

Baryton

Pavol Kubán

Sharpless

Tenor

Csaba Kotlár

Książe Yamadori

Michael Skalický

Yakuside

Sopran

Petra Břicháčová

Kuzynka

Libor Novák

Urzędnik

Silent

Jan Adam

Chłopiec

Wideo

Larva Bartoš

Lucie Svačinková

Ciotka

Peter Berger

F.B. Pinkerton

Mezzosopran

Lenka Pavlovič

Kate Pinkerton

Václav Sibera

Goro

Roman Vocel

Komisarz

Tomáš Foltýnek

Soňa Koczianová

Matka

Marketa Panska

Gabriela Pešinová

Eliška Sedláčková

Eliška Mourečková

Tereza Růžičková

Reżyseria

Jiří Heřman

Scenografia

Jan Lukášek

Kostiumy

Alexandra Grusková

Reżyseria światła

Daniel Tesař

Przygotowanie chóru

Adolf Melichar

Dramaturgia

Ondřej Hučín

Patricie Částková

Csilla Boross

Madama Butterfly

Jana Sýkorová

Suzuki

Zdeněk Plech

Bonzo

Svetlana Aksenova

Jiří Rajniš

Lunchmeat

Choreografia

Lucie Hayashi

Dyrygent

Jiří Štrunc

Olga Busuioc

Michaela Zajmi

Valentyn Dytiuk

Svatopluk Sem

Igor Loškár

Erika Vocelová Jarkovská

Oleg Korotkov

Markéta Frýdová

Andriy Yurkevych

Others

State Opera Chorus

Orchestra

State Opera Orchestra

Ballet

State Opera Ballet

National Theatre Prague

włoski

Madama Butterfly -  (Madame Butterfly)

Praga

Czechy

Státní Opera Praha (The State Opera)

Public

Madame Butterfly

Saurav Kumar

State Opera

czeski

angielski

Approved

„Butterfly“ je bezesporu jednou z divácky nejúspěšnějších a zároveň umělecky nejcennějších oper všech dob. Z Pucciniho děl má přitom snad tu nejjednodušší, v...

Madama Butterfly Puccini

The opera is named after the renowned short story Madame Butterfly by the American lawyer and author John Luther Long, which served as the basis for a drama by the New York impresario and playwright David Belasco, which in turn directly inspired Puccini to compose his celebrated opera.

In Madama Butterfly, Puccini eschewed intricate action and boisterous dramatic events, opting instead for an intimate story and highlighting the psychology of the characters, fleshing out by his music the tiniest details, oscillations and extreme emotional surges. The contrast between the Japanese and “Western” mentality is also aptly rendered by means of many a time surprisingly modified quotations of the US national anthem, as well as a forcible depiction of the local colour of Japan. This facet is captured in Jiří Heřman’s production, which authentically represents the Japanese culture and its traditional customs. The stage director tells the well-known story in a non-traditional way – through the eyes of Cio-Cio San’s grown-up son, who traces his past in Nagasaki.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble