Artist

Admin

Theater Bonn

Śpiewak

Tenor

George Oniani

F.B. Pinkerton

Mezzosopran

Susanne Blattert

Suzuki

Baryton

Giorgos Kanaris

Sharpless

Tobias Schabel

Bonzo

Johannes Mertes

Książe Yamadori

Sopran

Ulrike Gmeiner

Ciotka

Johannes Marx

Komisarz

Ji Young Mennekes

Matka

Reżyseria

Mark Daniel Hirsch

Scenografia

Helmut Stürmer

Kostiumy

Dieter Hauber

Reżyseria światła

Max Karbe

Yannick-Muriel Noah

Madama Butterfly

Przygotowanie chóru

Marco Medved

Dyrygent

Dirk Kaftan

Hermes Helfricht

Anna Princeva

Carl Rumstadt

Tae Hwan Yun

Goro

Mark Morouse

Sarah Mehnert

Kate Pinkerton

Mary Rosada

Kuzynka

Orchestra

Beethoven Orchester Bonn

Others

Choir of the Bonn Theater

Extras of the Theater Bonn

Pavel Kudinov

Jongmyung Lim

Yakuside

Eduardo Aladrén

Fleuranne Brockway

Karin Strobos

Rafael Bruck

Daegyun Jeong

Dmitri Vargin

Urzędnik

Maria Teresa Leva

włoski

Cristina Pardo Ramírez

Madama Butterfly Puccini

Public

Madame Butterfly

niemiecki

Approved

On the night of its world premiere at the Teatro alla Scala di Milano on 17 February 1904, Giacomo Puccini’s opera, probably his most popular to date, experienced a fiasco: Possibly goaded on by an intrigue, the audience flatly rejected this tragedy of a Japanese woman. This, however, is a fate that the work shares with many other worldwide hits of the operatic canon: Georges Bizet’s CARMEN or Kurt Weill’s RISE AND FALL OF THE CITY OF MAHAGONNY only became favourites of opera audiences over time. Giacomo Puccini, however, believed in his work: My Butterfly remains what it is. The most emotional opera that I have ever written! He was to be proved right: Only a few months after the initial debacle, MADAMA BUTTERFLY celebrated a resounding success at Teatro Grande Brescia in a (slightly) modified version.

Nagasaki, Japan, around 1900: Pinkerton, a lieutenant in the American Navy, has fallen in love with 15-year-old Cio-Cio-San, also called Butterfly. Their wedding, conducted according to Japanese ritual, however, is only a formal farce to him, and soon afterwards, his human toy finds herself alone with their son. Three years later, Pinkerton returns to Japan, but not for her sake. With his new wife, he wants to take the child to live with him in America. Cio-Cio-San takes her own life.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble