Name: Madama Butterfly
Start: 2012-04-25T00:00:00.000Z
End: 2012-04-29T00:00:00.000Z
Location: Grand Théâtre Massenet

Organization

Singer

Soprano

Shigeko Hata

Cio-Cio-San

Tenor

Evan Bowers

B.F. Pinkerton

Baritone

Víctor Torres

Sharpless

Mezzo-soprano

Blandine Folio Peres

Suzuki

Manuel Nunez-Camelino

Goro

Régis Mengus

Prince Yamadori

Bass

Christophe Bernard

Uncle Bonze

Geneviève Laloy

Kate Pinkerton

Conductor

Laurent Campellone

Stage director

Alain Garichot

Costume designer

Claude Masson

Set designer

Denis Fruchaud

Lighting designer

Marc Delamézière

Opéra de Saint-Étienne

Others

Chœur Lyrique  Saint-Étienne Loire

Orchestra

Orchestre Symphonique Saint-Étienne Loire

Madama Butterfly -  (Madame Butterfly)

Saint-Etienne

France

Grand Théâtre Massenet

Madama Butterfly

Public

Madame Butterfly

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Four years separate the composition of Madama Butterfly , “Japanese tragedy in three acts”, from that of Tosca created in 1900. Puccini found the subject in a play inspired by the novel by Pierre Loti: Madame Chrysanthème . The day after his "Japanese wedding", Pinkerton returns to America and abandons his young wife and the child she is expecting. Believing against all odds in the promised return, Butterfly remains stubbornly faithful to him, gradually sinking into isolation. The return of the officer after three years of absence, on the arm of his American wife, will put an end to this expectation. Overwhelmed, Butterfly abandons the child to them and kills herself.

After a stormy premiere at La Scala in Milan in February 1904 and some adjustments granted by the maestro, Madama Butterfly definitively triumphs. A century later, this poignant plot served by the modest but brilliant score of Puccini continues to upset.

Since a striking Eugen Onegin and a recent and piquant Véronique , the Loire public has been able to appreciate the sober and just look that Alain Garichot brings to any lyrical work that he pierces, strips and finally sets alight, faithful to his credo: "Place at the theater ! »

English

Quatre années séparent la composition de Madama Butterfly, « tragédie japonaise en trois actes », de celle de Tosca créée en 1900. Puccini en trouva le sujet dans une pièce inspirée du roman de Pierre Loti : Madame Chrysanthème. Au lendemain de ses "noces japonaises", Pinkerton repart en Amérique et abandonne sa jeune épouse ainsi que l’enfant qu’elle attend. Croyant envers et contre tout au retour promis, Butterfly lui reste obstinément fidèle, sombrant progressivement dans l’isolement. Le retour de l’officier après trois ans d’absence, au bras de son épouse américaine, mettra un point final à cette attente. Accablée, Butterfly leur abandonne l’enfant et se donne la mort.

Après une création houleuse à La Scala de Milan en février 1904 et quelques aménagements concédés par le maestro, Madama Butterfly triomphe définitivement. Un siècle après, cette intrigue poignante servie par la pudique mais brillante partition de Puccini continue de bouleverser.

Depuis un saisissant Eugen Onegin et une récente et piquante Véronique, le public ligérien a pu apprécier le regard sobre et juste qu’Alain Garichot porte sur toute œuvre lyrique qu’il transperce, dépouille et finalement embrase fidèle à son credo : « Place au théâtre ! »

français

Madame Butterfly by Puccini, 금 27 4월 2012, 에서 (2012/2012), 감독 Alain Garichot,, 지휘자 Laurent Campellone, Grand Théâtre Massenet, Saint-Etienne, France

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