Organization

Reżyseria

Jürgen Flimm

Mara Kurotschka

Dyrygent

Mikahail Tatarnikov

Reżyseria światła

Alexander Kibitkin

Sebastian Alphons

Kostiumy

Ursula Kudrna

Scenografia

George Tsypin

Wideo

Robert Pflanz

Przygotowanie chóru

Vladimir Stolpovskikh

Alexey Dmitriev

Sergey Tsyplenkov

Pianista

Natalia Dudik

Tłumaczenie

Margarita Kunitsyna-Tankevich

Assistant Conductors

Igor Tomashevsky

Valentin Bogdanov

Assistant to Stage Director

Yulia Prokhorova

Assistant to Stage Designer

Polina Liefers

Assistant to Costume Designer

Julia Harttung

Consultant in the Italian language

Daria Mitrofanova

Śpiewak

Sopran

Anastasia Barun

Manon Lescaut

Tenor

Fyodor Ataskevich

Kawaler Renato Des Grieux

Baryton

Boris Pinkhasovich

Lescaut

Anton Petryaev

Geronte Di Ravoir

Damir Zаkirov

Edmondo

Ekaterina Egorova

Madrigal (solo)

Svetlana Monchak

Madrigal

Aleksandra Sennikova

Anna Buslidze

Irina Mikhailova

Alevtina Ioffe

Directed by the play

Olga Kokh

Elena Piskunova

Anna Nalbandyants

Mikhailovsky Theatre

włoski

Sankt Petersburg

Rosja

Mikhailovsky Theater

Manon Lescaut Puccini

Public

rosyjski

Approved

опера в 3-х действияхмузыка Джакомо Пуччинипостановка Юргена Флимма opera in three actsmusic by Giacomo Pucciniproduction by Jürgen Flimm

The opera Manon Lescaut is one of the best works of Giacomo Puccini.

Staged in 1893 in Turin, it became the composer's first and undoubted triumph. The libretto is based on a plot from Antoine Francois Prevost's book The Story of the Chevalier de Grieux and Manon Lescaut, one of the first examples of a psychological novel in the history of literature, which was very popular in Europe.

The creators of the performance at the Mikhailovsky Theater, stage director Jurgen Flimm and stage designer Georgy Tsypin, kept the scene - Paris, but changed the time and moved the events to the first third of the twentieth century. In their stage version, the heroine is an aspiring film actress, her lover is also an actor, and her wealthy patron is a Hollywood producer.

The scenography of the performance is close to the film noir style with characteristic light contrasts and dramatic shadows. Stage costumes directly refer to the cinema of the 1930s and 1940s. The emotional content remains unchanged, which the director defines with a brief formula: “A woman between two men and, as a result, a catastrophe.”

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga