Name: María de Buenos Aires
Start: 2022-01-15T00:00:00.000Z
End: 2022-01-23T00:00:00.000Z
Location: Opéra Nouvel de Lyon

Organization

Festival nuits de Fourvière

Conductor

Valentina Peleggi

Stage director

Yaron Lifschitz

Lighting designer

Lutz Deppe

Costume designer

Libby McDonnell

Video designer

Yann Philippe

Singer

Mezzo-soprano

Wallis Giunta

Maria

Tenor

Luis Alejandro Orozco

The voice of a payador

Opéra de Lyon

Orchestra

Ensemble Negracha

Lyon Opera Orchestra

Ballet

Compagnie Circa

스페인어

María de Buenos Aires -  (Maria de Buenos Aires)

Lyon

France

Opéra Nouvel de Lyon

Public

Maria de Buenos Aires

프랑스어

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Countertenor

Baritone

Soprano

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

María de Buenos Aires Piazzolla

Allegory of Tango
Unique opera by the undisputed master of tango and bandoneon, Astor Piazzolla, María de Buenos Aires marks the beginning of a long collaboration with the poet Horacio Ferrer. This Nuevo Tango manifesto, completed in 1967, is a hybrid work that mixes scholarly writing and popular melodies; jazz, tango and classical; but also trivial and sacred through the Marian figure of ... María, worker from the suburbs who became a cabaret singer. Between magical realism and symbolism, the young woman embodies an allegory of the tango and its capacity to reinvent itself - this " happiness of courage " that Borges spoke of: " learning to die and taking care of being reborn.". For this collaboration between the Nuits de Fourvière - which will feature it in its program - and the Opéra de Lyon, Yaron Lifschitz adapts the opera for ten acrobats, two dancers, two soloists (instead of the usual three), tango musicians and a string orchestra to create a Borgesian " dream of tango and the tango of a dream." "

English

Allégorie du tango
Unique opéra du maître incontesté du tango et du bandonéon, Astor Piazzolla, María de Buenos Aires marque le début d'une longue collaboration avec le poète Horacio Ferrer. Ce manifeste du Nuevo Tango, achevé en 1967, est une œuvre hybride qui mêle écriture savante et mélodies populaires ; jazz, tango et classique ; mais aussi trivial et sacré à travers la figure mariale de... María, ouvrière des faubourgs devenue chanteuse de cabaret. Entre réalisme magique et symbolisme, la jeune femme incarne une allégorie du tango et de sa capacité à se réinventer – ce « bonheur du courage » dont parlait Borges : « apprendre à mourir et s'occuper à renaître ». Pour cette collaboration entre les Nuits de Fourvière – qui le proposera à son programme – et l'Opéra de Lyon, Yaron Lifschitz adapte l'opéra pour dix acrobates, deux danseurs, deux solistes (au lieu des trois habituels), des musiciens de tango et un orchestre à cordes pour créer un borgesien « rêve de tango et le tango d'un rêve. »

français

Maria de Buenos Aires by Piazzolla, 토 22 1월 2022, 에서 (2022/2022), 감독 Yaron Lifschitz,, 지휘자 Valentina Peleggi, Opéra Nouvel de Lyon, Lyon, France

성과 크레딧 (캐스트 & 크루 )

깁스

승무원

앙상블

공동 프로듀서

프로그램, 소개 및 시놉시스

사진

추가 자료

공연 날짜 및 장소

장소