Name: María de Buenos Aires
Start: 2024-02-12T00:00:00.000Z
End: 2024-03-02T00:00:00.000Z
Location: Kammeroper

Organization

Stage director

Juana Inés Cano Restrepo

Set designer

Anna Schöttl

Costume designer

Lena Weikhard

Lighting designer

Franz Tscheck

Choreographer

Sabine Arthold

Dramaturge

Christian Schröder

Singer

Spoken

Daniel Bonilla-Torres

El Duende

Mezzo-soprano

Luciana Mancini

Maria

Tenor

Jorge Espino

The voice of a payador

MusikTheater an der Wien

Orchestra

folksmilch

Ballet

Studierende des Performing Center Austria

Instrumentalist

Christian Bakanic

Accordeon

Klemens Bittmann

Violin

Eddie Luis

Double bass

Andrés Añazco

Piano

Percussion

Mandola

스페인어

María de Buenos Aires -  (Maria de Buenos Aires)

Vienna

Austria

Wiener Kammeroper

María de Buenos Aires Piazzolla

Public

Maria de Buenos Aires

Leila Elizabeth Alexander

독일어

영어

Approved

Kammeroper

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Chorus master

Composer

Conductor

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Baritone

Bass-baritone

Soprano

Countertenor

Bass

Alto

Child vocalist

Continuo

Silent

When, in the mid-20th century, Astor Piazzolla invented the tango nuevo with the aid of tango, folk, jazz and baroque music, he ushered in the renaissance of the classic tango Argentino which, 50 years earlier, had found its way into the upper echelons of society from the run-down suburbs. María also comes from a suburb of Buenos Aires. A prisoner of the lustful desires of a world dominated by crime and machismo, she becomes a figure onto which the mores of her environment are projected. Revered as a saint, debased as an object, she unerringly goes her own way and, following her death, rises phoenix-like to live again. Piazzolla’s tango opera was first given in 1968. It is a work at once thought-provoking and intoxicating that highlights social injustices and celebrates life, and is a declaration of love for the tango as well as an indictment of it. The folksmilch ensemble has made the crossing of all stylistic boundaries its speciality, enabling it to provide a new sound that is as authentic as it is exciting. María de Buenos Aires “reloaded”!

English

Als Astor Piazzolla Mitte des 20. Jahrhunderts mithilfe von Tango, Folk, Jazz und Barockmusik den Tango Nuevo erfand, läutete er damit die Wiedergeburt des klassischen Tango Argentino ein, der 50 Jahre zuvor aus den heruntergekommenen Vorstädten in die obersten Gesellschaftsschichten gelangt war. Aus der Vorstadt von Buenos Aires kommt auch María. Gefangen in den Begehrlichkeiten einer von Kriminalität und Machismo geprägten Welt, wird sie zur Projektionsfläche ihrer Umgebung. Zur Heiligen verklärt, zum Objekt degradiert, geht sie unbeirrt ihren eigenen Weg und wird nach ihrem Tod phönixgleich wiedergeboren. Piazzollas 1968 uraufgeführte Tango-Oper ist ein Werk, das zugleich nachdenklich stimmt und berauscht, gesellschaftliche Missstände aufzeigt und das Leben feiert und eine Liebeserklärung und Anklage an den Tango ist. Das Ensemble folksmilch hat sich die Überwindung sämtlicher Stilgrenzen auf die Fahnen geschrieben und sorgt für einen so authentischen wie aufregend neuen Sound. María de Buenos Aires „reloaded“!

Deutsch

Maria de Buenos Aires by Piazzolla, 수 14 2월 2024, 에서 (2024/2024), 감독 Juana Inés Cano Restrepo,, Kammeroper, Vienna, Austria

성과 크레딧 (캐스트 & 크루 )

깁스

수단

승무원

앙상블

프로그램, 소개 및 시놉시스

사진

추가 자료

공연 날짜 및 장소

장소