Name: Mass in B minor, BWV 232
Start: 2022-04-09T00:00:00.000Z
End: 2022-04-09T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Singer

Soprano

Ilse Eerens

Tenor

Tilman Lichdi

Bass

Klaus Mertens

Conductor

Ton Koopman

Countertenor

Clint van der Linde

Teatro Maestranza

Others

Amsterdam Baroque Choir

Amsterdam Baroque Orchestra

Mass in B minor, BWV 232

Seville

Spain

Teatro de la Maestranza

Sala Principal

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Mezzo-soprano

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Nombre: Agnus Dei
Compositor: Johann Sebastian Bach
Music in this video
Learn more
Song
Mass in B Minor, BWV 232: Agnus Dei
Artist
Cantus Cölln, Konrad Junghänel
Album
J.S. Bach: Mass in B Minor
Licensed to YouTube by
Harmonia Mundi (on behalf of harmonia mundi); UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Sony ATV Publishing, and 1 Music Rights Societies

Mass in B minor Bach,JS

A dialogue with the divine

Declared “World Heritage” by UNESCO in 2015, the Mass in B minor by Johann Sebastian Bach (1685-1750) is an Everest of the music of our times and remains an enigma which has not been completely deciphered. The chronology of its composition over some 25 years to just before Bach’s death is still being researched; the composer knew he would never see his piece performed yet he was profoundly committed to it.

“This is the most difficult piece in the history of music”, states conductor Thomas Hengelbrock, a specialist in Baroque repertoire, who, with regard to the Catholic nature of the work -in contrast to the other Bach masses which are Lutheran- recommends his musicians to“ remember that this music is a dialogue with the Divine. It does not matter if one believes in God or not: one must think of the idea of the absolute".

Along with the extraordinary nature of the work, is the exceptionality of the musicians. In a concert organised in collaboration with the Festival de Música Antigua de Sevilla (Ancient Music Festival of Sevilla), Netherlands conductor Ton Koopman (1944), one of the pioneers of interpreting Baroque music with period piece instruments and criteria, leads the Amsterdam Baroque Orchestra and Choir, the ensemble that has made history in its dissemination of Ancient music. This will be one of the stellar moments of the season. A dialogue with the Divine. Bach at the summit.

English

Mass in B minor, BWV 232 by Bach, J. S., lr. 09 api. 2022, Noiztik (2022/2022), Zuzendaria Ton Koopman, Teatro de la Maestranza, Seville, Spain

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