Name: Miroirs
Start: 2018-12-04T00:00:00.000Z
End: 2018-12-04T00:00:00.000Z
Location: Grande Salle Pierre Boulez - Philharmonie

Admin

Orchestre National d'Île de France

Direction d'orchestre

Michael Hofstetter

conductor

Orchestra

Instrument

Baptiste Trotignon

piano

Cité de la Musique-Philharmonie

Piano

Miroirs

Paris

France

Philharmonie de Paris

Salle de conférence

Public

Concert

L'air De Rien, Concertino Pour Piano Et Orchestre

Concerto pour piano nº 1

symphonie nº 100

Arshiya Banu

Valide

Grande Salle Pierre Boulez - Philharmonie

Basse

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositeur

Mise en scène

Livret

Décors

Costumes

Chorégraphie

Lumières

Danse

Acteur

Direction de choeur

Video

Dramaturgie

Traduction

Répétiteur

Maquillage

En charge de la production

Coiffure

Autre

Stage Manager

Choeur

Orchestre

Poet

Coach vocal

Prof

Photographer

Diffusion

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Ténor

Singer

Baryton

Contralto

Soprano

Baryton-basse

Mezzo-soprano

Contre-ténor

Parlé

Voix d'enfant

Rôle muet

Alto

Continuo

Ce concert propose une belle rencontre entre les différentes sources d’inspiration de Baptiste Trotignon et l’Orchestre national d’Île-de-France.

français

This concert offers a beautiful meeting between the different sources of inspiration of Baptiste Trotignon and the Orchester national d'Île-de-France.

Jazz pianist and composer Baptiste Trotignon (born 1974) is one of the most creative French artists on the international scene, who knows how to juggle styles and improvise with great fantasy. It is less known that, alongside his career in jazz, he also built an equally remarkable classical path by composing works whose style nevertheless remained just as free. And it is this relationship that interests this exceptional musician: a play of mirrors between the written and the improvised, like the two sides of the same artist. The work designed for the Orchester national d'Île-de-France draws on heritage by referring to the concertino, a genre bringing a group of soloists into dialogue with the orchestra, which it revisits very freely. It is precisely this free and improvised gesture that is surprising when listening to the First Piano Concerto composed by Wolfgang Amadeus Mozart at the age of eleven. We are amazed at the incredible talent with which Wolfgang, as a child, knew how to place such a particular intensity in each note: everything seems so simple, but everything is already so profound. Joseph Haydn also left his mark on Western musical history with the leap of his overflowing imagination: the “Military” Symphony (1794) is his hundredth. He excelled in this genre, which he constantly renewed without ever repeating himself.

English

Miroirs by Trotignon, Mozart, Haydn, Du (2018/2018), Chef d'orchestre Michael Hofstetter, Grande Salle Pierre Boulez - Philharmonie, Paris, France

Crédits de représentation (Distribution et équipe de production )

Distribution

Instrumentation

Ensemble

Programme, À Propos & Synopsis

Lectures complémentaires

Dates et lieux de représentation

Salles