Organization

Admin

Madison Symphony Orchestra

Direction d'orchestre

John DeMain

Direction de choeur

Beverly Taylor

Instrument

Violinist

Naha Greenholtz

Violin

Chanteur

Soprano

Sara Duchovnay

Contralto

Briana Hunter

Alto

Ténor

Clay Hilley

Tenor

Basse

Kenneth Kellogg

Bass

Missa solemnis in D major, op. 123 -  (Messe solennelle en ré majeur, op. 123)

Madison

États-Unis

Overture Center for the Arts

Public

Messe solennelle en ré majeur, op. 123

Violin Concerto No. 4 in G major, Hob. VIIa/4

Cristina Pardo Ramírez

Valide

Yes, Mozart was his inspiration, but Haydn was Beethoven’s teacher. Concertmaster Naha Greenholtz performs the Violin Concerto in G major. A great work from the height of Beethoven’s composing career, the monumental Missa Solemnis is one of his supreme achievements and one of the most significant Latin Mass settings ever penned.

 The muse, the mass, and the money. The sentiments in Beethoven’s Missa Solemnis appeal to humankind’s highest aspirations, but Beethoven’s business dealings with it were decidedly earthbound. He sold the work seven times. While haggling with the publisher Simrock, Beethoven not only hung onto the fee he had received but wrote to six other firms promising the Mass to them. When Simrock wanted their money back, Beethoven promised another Mass, but never got around to writing it.
– Norman Gilliland

English

Messe solennelle en ré majeur, op. 123 by Beethoven, Violin Concerto No. 4 in G major, Hob. VIIa/4 by Haydn, Du (2022/2022), Chef d'orchestre John DeMain, Overture Center for the Arts, Madison, États-Unis

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