Name: Monteverdi | Carissimi | Scarlatti | Purcell
Start: 2022-11-01T00:00:00.000Z
End: 2022-11-02T00:00:00.000Z
Location: Lingotto

Organization

Conductor

John Eliot Gardiner

Orchestra

English Baroque Soloists

Others

Monteverdi Choir

Monteverdi Choir & Orchestras

Monteverdi | Carissimi | Scarlatti | Purcell

Vicenza

Italy

Teatro Olimpico

Turin

Lingotto

Auditorium Giovanni Agnelli

Monteverdi | Carissimi | Scarlatti | Purcell: Jehova, Quam Multi Sunt Hostes Mei (+4 More)

Public

Jehova, Quam Multi Sunt Hostes Mei

Messa a 4 Voci da Cappella

Stabat Mater

Hear my Prayer, O Lord, Z. 15

Jephtha

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Mezzo-soprano

Soprano

Baritone

Tenor

Contralto

Bass-baritone

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

In November 2022, the Monteverdi Choir, English Baroque Soloists and John Eliot Gardiner performed a programme of Baroque choral masterpieces at iconic venues in Northern Italy.

Programme:

Purcell Jehova, quam multi sunt hostes
Monteverdi Messa a 4 voci da cappella
D. Scarlatti Stabat mater
Purcell Hear my prayer, O Lord
Carissimi Jephte

Three Italian choral masterpieces showcase the virtuosity of the Monteverdi Choir, and highlight the changing musical styles in Italy in the 17th and early 18th centuries. Monteverdi’s final setting of the mass, written while he was maestro di cappella of St Mark’s in Venice in the first half of the 17th century, mixes the older polyphonic style with more declamatory passages. Carissimi’s Jephte, a miniature sacred musical drama written in the middle of the 17th century, uses an almost operatic style of solo writing alongside meltingly beautiful choruses to tell the Old Testament story of Jephtha, the Israelite leader forced to sacrifice his own daughter. Domenico Scarlatti’s 10-voice Stabat mater, composed in the early years of the 18th century, combines the old-fashioned polyphonic choral style with a passionate rhetoric, in a graphic depiction of Christ’s crucifixion with all the intensity of a Bernini sculpture or a Caravaggio tableau.

Two pieces by Purcell reveal Italianate influence on the English composer: in the 8-voice Hear my prayer, O Lord the harmonies become ever more extraordinary in a crescendo of supplication to God; while Jehova, quam multi sunt hostes (an exceptional setting of a Latin text in Purcell’s oeuvre) features an almost Monteverdian declamatory style.

English

Monteverdi | Carissimi | Scarlatti | Purcell by Purcell, Monteverdi, Scarlatti, D., Carissimi, Minn (2022/2022), Surmast Direttur John Eliot Gardiner, Lingotto, Turin, Italy

Krediti ta' prestazzjoni (Il-Kast & l-Ekwipaġġ )

Ensemble

Programm, Dwar & Sinossi

Reviżjonijiet

Ritratti

Aktar qari

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