Name: Moses und Aron
Start: 2006-06-03T00:00:00.000Z
End: 2006-06-19T00:00:00.000Z
Location: Wiener Staatsoper

Organization

Śpiewak

Spoken

Franz Grundheber

Moses

Tenor

Thomas Moser

Aron

Dyrygent

Daniele Gatti

Scenografia

Wolfgang Gussmann

Kostiumy

Wiener Staatsoper

Sopran

Asa Elmgren

1. Solostimme

Mezzosopran

Michaela Selinger

2. Solostimme

Kontralt

Daniela Denschlag

3. Solostimme

John Dickie

4. Solostimme

Baryton

Marcus Pelz

5. Solostimme

Johannes Wiedecke

6. Solostimme

Przygotowanie chóru

Jozef Chabron

Janina Baechle

Jens Musger

Three elders

Johannes Gisser

Jeong-Ho Kim

Oleg Savran

Michael Wilder

Konrad Huber

Cosmin Ifrim

The Twelve Chiefs

Marian Talaba

Herwig Pecoraro

Michael Roider

Benedikt Kobel

Karl-Michael Ebner

Clemens Unterreiner

Hans Peter Kammerer

Alfred Sramek

Wolfgang Bankl

Walter Fink

Janusz Monarcha

Reżyseria

Reto Nickler

Susana Mendoza

Reżyseria światła

Andreas Grüter

Wideo

Fett Film

Momme Hinrichs

Torge Møller

Norbert Balatsch

Janko Kastelic

Ildikó Raimondi

Mädchen

Kranke

Peter Jelosits

Jüngling

Johann Reinprecht

Nackter Jüngling

Morten Frank Larsen

Mann

Georg Tichy

Ephraimit

Alexandru Moisiuc

Priester

Ileana Tonca

1. nackte Jungfrau

2. nackte Jungfrau

Cornelia Salje

3. nackte Jungfrau

Margareta Hintermeier

4. Nackte Jungfrau

Teatro Real de Madrid

Orchestra

Orchester der Wiener Staatsoper

Others

Slovak Philharmonic Choir

niemiecki

Moses und Aron -  (Mojżesz i Aaron)

Wiedeń

Austria

"After more then 30 years of absence, the Vienna State Opera dedicates a new staging to Schoenberg’s unfinished opera Moses und Aron with Franz Grundheber as Moses and Thomas Moser as Aron – a breathtaking and multimedia opera highlight accompanied by the chorus and orchestra of the Vienna State Opera conducted by Daniel Gatti.

Possibly Schoenberg’s finest work, and certainly one that he held close to his heart, is his unfinished opera Moses und Aron. Even more than his play Der biblische Weg, Moses und Aron represents Schoenberg’s finest attempt at meshing his philosophical ideas with his artistry. It is a work that can be approached on many different levels: as an example of his twelve-tone system, as a work of biblical commentary, or as an attempt to work out the problems facing the Jew in the modern world."

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