Name: Mozart- Requiem
Start: 2022-10-29T00:00:00.000Z
End: 2023-06-27T00:00:00.000Z
Location: Stadttheater

Organization

Choreographer

Bjarte Emil Wedervang Bruland

Set designer

Stephan Anton Testi

Costume designer

Soprano

Małgorzata Rocławska

Contralto

Jessica Eccleston

Alto

Eva Schneidereit

Tenor

Dritan Angoni

Bass

Timo Hannig

Conductor

Peter Kuhn

Chorus master

Avishay Shalom

Bernd Stepputtis

Dramaturge

Susanne von Tobien

Anna Avdalyan

Mario Klein

Schleswig-Holsteinische Landestheater

Orchestra

Schleswig-Holsteinische Sinfonieorchester

Ballet

Ballet des Schleswig-Holsteinischen Landestheaters

Others

Opernchor Schleswig-Holsteinisches

Mozart- Requiem

Flensburg

Germany

Stadttheater

Rendsburg

Mozart- Requiem: Requiem, K.626 Mozart (+1 More)

Public

Requiem

Symphony No. 49 in F Minor, Hob. I/49

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Lighting designer

Dancer

Actor

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Bass-baritone

Mezzo-soprano

Countertenor

Baritone

Spoken

Child vocalist

Silent

Continuo

Legends surround Wolfgang Amadeus Mozart's Requiem, his last work, written in 1791. According to the myth, Mozart, who was in poor health, was even convinced from the beginning that he should write his own funeral mass – at the age of only 35. It was not granted to the composer to complete the piece, which is why many passages are only available as fragments. Few works in music history combine compositional quality, emotional pull and such unshakable popularity.

Mozart, who engaged in a deeply personal, artistic confrontation with death with the Requiem, had encouraged his dying father in a letter four years earlier: Death was the “true, best friend of man” who gave him courage don't be scared. In this sense, his Requiem is a thoroughly comforting, life-affirming work, despite the dark instrumentation.

The second work of the evening is contributed by a famous contemporary of Mozart's: Joseph Haydn's 49th symphony from 1768 can be heard. It was written during his time as Kapellmeister at the Esterházys' court. Compared to many of Haydn's other, much more optimistic symphonies - he composed a total of 108 - this one, which is in the "passion key" of F minor, stands out as unusually somber and melancholic-sounding and thus already in its basic mood forms an exciting addition to the Mozart Requiem.

The ballet ensemble will perform the powerful, haunting dance evening MOZART-REQUIEM by Emil Wedervang Bruland together with the symphony orchestra, music theater soloists and the choir. Look forward to a dance evening of choreographic lightness and musical punch!

English

Legenden ranken sich um Wolfgang Amadeus Mozarts Requiem, sein letztes, 1791 entstandenes Werk. Der gesundheitlich angeschlagene Mozart soll sogar – so der Mythos – von Anfang an überzeugt gewesen sein, seine eigene Totenmesse zu schreiben – mit nur 35 Jahren. Dem Komponisten war es nicht vergönnt, das Stück fertigzustellen, weshalb viele Passagen nur als Fragmente vorliegen. Wenige Werke der Musikgeschichte vereinen kompositorisches Niveau, emotionale Sogwirkung und derart unerschütterliche Popularität in sich.

Mozart, der sich mit dem Requiem auf eine zutiefst persönliche, künstlerische Auseinandersetzung mit dem Tod einließ, hatte vier Jahre zuvor in einem Brief seinem im Sterben liegenden Vater Mut zugesprochen: Der Tod sei der ,,wahre, beste Freund des Menschen”, der ihn nicht schrecke. In diesem Sinne ist sein Requiem trotz der dunklen Instrumentierung ein durchaus tröstliches, lebensbejahendes Werk.

Das zweite Werk des Abends steuert ein berühmter Epochengenosse Mozarts bei: Es erklingt Joseph Haydns 49. Sinfonie aus dem Jahr 1768. Sie entstand während seiner Kapellmeisterzeit am Hof der Esterházys. Im Vergleich zu vielen anderen, weitaus optimistischer getönten Sinfonien Haydns – er verfasste insgesamt 108 – sticht diese in der ,,Passionstonart” f-Moll stehende als ungewöhnlich düster und wehmutsvoll klingend heraus und bildet somit bereits von ihrer Grundstimmung her eine spannende Ergänzung zum Mozart-Requiem.

Den kraftvollen, eindringlichen Tanzabend MOZART-REQUIEM von Emil Wedervang Bruland wird das Ballettensemble gemeinsam mit dem Sinfonieorchester, Musiktheatersolist*innen und dem Chor bestreiten. Freuen Sie sich auf einen Tanzabend von choreografischer Leichtigkeit und musikalischer Durchschlagskraft!

Deutsch

Mozart- Requiem by Mozart, Haydn, 화 27 6월 2023, 에서 (2022/2023), 지휘자 Peter Kuhn, Stadttheater, Flensburg, Germany

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