Name: Mozart the Radical
Start: 2022-02-10T00:00:00.000Z
End: 2022-02-13T00:00:00.000Z
Location: Herbst Theater

Organization

Dyrygent

Richard Egarr

Pianista

Śpiewak

Sopran

Elizabeth Watts

Others

Philharmonia Baroque Orchestra & Chorale

Mozart the Radical

Berkeley

Stany Zjednoczone

Palo Alto

San Francisco

Herbst Theater

Mozart the Radical: Concert

Public

Koncert

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Bas - baryton

Baryton

Tenor

Mezzosopran

Kontralt

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Mozart was a composer who loved to test boundaries, and in his Symphony No. 38, you hear him pushing the orchestra of the day to the limit, expanding the horizons of the symphony. It’s a veritable smorgasbord of invention, a riot of creativity.

At the start of the finale, Mozart cheekily squeezes in a little snippet of music from The Marriage of Figaro, so it’s only appropriate that we showcase some of his operatic writing too, including the concert aria “Will I forget you? … Fear not, beloved,” here with Elizabeth Watts in her PBO debut.

Dark, tragic, and passionate, Mozart’s Concerto No. 24 was admired by none other than Beethoven, and for this concert, the original textures and sounds of the work are revealed with Richard Egarr performing it on a fortepiano, the instrument for which it was written.

English

Mozart the Radical by Various, od (2022/2022), Dyrygent Richard Egarr, Herbst Theater, San Francisco, Stany Zjednoczone

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca