Organization

Opera Ballet Flanders

Stage director

Cristiane Jatahy

Set designer

Set designer (+1)

Thomas Walgrave

Lighting designer

Bass (+4)

Luis López

The High Priest of Ba'al

Soprano (+2)

Carmen Buendía

Anna

Baritone (+3)

Andrés Merino

Abdallo

Costume designer

Costume designer (+1)

An D'Huys

Teatro de la Maestranza

Théâtres de la Ville de Luxembourg

Orchestra

Real Orquesta Sinfónica de Sevilla

Grand Théâtre de Genève

Chorus

Choir of the Teatro de la Maestranza

Dramaturge

Dramaturge (+3)

Clara Pons

Video

Batman Zavarese

Baritone (+2)

Juan Jesús Rodríguez

Nabucco

Soprano

Maria José Siri

Abigail

Bass-baritone (+3)

Simón Orfila

Zachary

Mezzo-soprano (+3)

Alessandra Volpe

Fenena

Tenor

Antonio Corianò

Ishmael

Baritone (+1)

Damiano Salerno

Soprano (+1)

Maribel Ortega

Bass (+2)

Dario Russo

Mezzo-soprano (+2)

Mónica Redondo

Tenor (+1)

Santiago Vidal

Conductor

Conductor (+1)

Sergio Alapont

Gaetano Lo Coco

Bel canto, ice that burns

Power, oppression, betrayal, exile, impossible love, religious conflict and the struggle of civilizations. Here is one of those frequent lyrical episodes in which a current story at the time of its premiere is metaphorically told to us through the veil of a historical transposition. In Jerusalem and Babylon, in the 6th century BC, and in the associations established by the public between the ordeal of the Jewish people and the nationalist demands of the Italy of 1842, the Italians found the opera that, at that time, they needed to cry out against the foreign oppression in which they lived.

That opera was Nabucco , an accidental and reluctantly received commission that became a fundamental hinge for the future of G. Verdi, because it reactivated his compositional spirit -Verdi had lost his wife and two children- and began with it the so-called " galley years”, that period of chained successes and compulsive work that led him to meet the milestone of writing 17 operas in 12 years. Verdi's rise begins, then, in Nabucco , a lyrical dramain four parts that springs from the overture with a force unknown for the time and unfolds to the end with dazzling melodic developments, a captivating dramatic crescendo, an advanced psychological definition of the characters and a sculpted chorus as one more element of the action. A shocking opera full of unforgettable moments.

In six performances with a markedly Latin double cast, in which the baritone Juan Jesús Rodríguez and the soprano María José Siri stand out, as well as Simón Orfila, the Maestranza presents a new own production with international theaters with stage direction by Christiane Jatahy and a musical by Francesco Ivan Ciampa in front of the ROSS and the Maestranza Theater Choir.

Seville

Spain

Sala Principal

Nabucco Verdi

Staged

Opera

#Nabucco #Verdi #ópera 13, 16, 18, 19, 21 y 22 de junio de 2024Teatro de la MaestranzaEntradas en www.teatrodelamaestranza.es Poder, opresión, traición, exil...

Approved

Ritratti