Organization

Arena di Verona Opera Festival

Orchestra

Orchestra dell'Arena di Verona

Arena di Verona

Fondazione Arena di Verona

Reżyseria

Reżyseria (+6)

Stefano Poda

Scenografia

Kostiumy

Reżyseria światła

Choreograf

Dyrygent

Pinchas Steinberg

Chorus

Coro della Fondazione Arena di Verona

Przygotowanie chóru

Dyrygent (+1)

Roberto Gabbiani

Bas (+3)

Gabriele Sagona

Arcykapłan

Paolo Giani Cei

Scenografia (+3)

Michele G Olcese

Tenor (+1)

Galeano Salas

Izmael

Baryton

Amartuvshin Enkhbat

Nabucco

Tenor (+2)

Carlo Bosi

Abdallo

Matteo Macchioni

Sopran

Daniela Cappiello

Anna

Tenor

Francesco Meli

Alexander Vinogradov

Zachariasz

Bas - baryton (+3)

Christian Van Horn

Sopran (+1)

Olga Maslova

Abigail

Mezzosopran (+2)

Francesca Di Sauro

Fenena

Baryton (+2)

Luca Salsi

Bas (+2)

Roberto Tagliavini

Anna Pirozzi

Sopran (+5)

Anna Netrebko

Mezzosopran (+3)

Anna Werle

Aigul Akhmetshina

Elisabetta Zizzo

Baryton (+1)

Youngjun Park

Maria José Siri

Sopran (+4)

Vasilisa Berzhanskaya

Elena Borin

Igor Golovatenko

Bas (+1)

Simon Lim

«Va, pensiero, sull'ali dorate» (Fly, my thoughts, on wings of gold) will be heard again among the thousand-year-old stones of the Arena, in a new production of Giuseppe Verdi's first masterpiece by Stefano Poda opening the 102 Arena di Verona Opera Festival with a double date.

 

‘Two opposites attract and repel each other throughout the stage, until they reach a point of maximum repulsion and splitting, and then arrive at the synthesis of the Finale in which the two opposites are brought together again. The metaphor is that of the bonds between atomic particles: matter originates from their union, but Humanity has discovered how to separate them, causing total destruction. Technological progress makes everything possible - and Nabucco does not hesitate to use his material superiority against the defeated, even to the point of dramatic consequences: the lesson of this masterpiece is that rationality, to be well intentioned, cannot disregard spirituality.’  Stefano Poda

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