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National Theatre Prague

Slovak National Theatre

Dirección de escena

Dirección de escena (+7)

Tomáš Ondřej Pilař

Escenografía

Escenografía (+1)

Petr Vítek

Diseño de vestuario

Diseño de vestuario (+1)

Dana Haklová

Coreografía

Martin Šinták

Iluminación

Iluminación (+2)

Daniel Tesař

Dramaturgo

Jitka Slavíková

Barítono (+1)

Nikoloz Lagvilava

Nabucco

Barítono (+3)

Stepan Drobit

Soprano (+2)

Oksana Nosatova

Abigaille

Mezzosoprano (+8)

Markéta Cukrová

Fenena

Contralto (+4)

Stanislava Jirků

Tenor

Richard Samek

Ismaele

Tenor (+2)

Josef Moravec

Bajo (+1)

Iuri Maimescu

Zaccaria

Bajo (+3)

Jan Hnyk

Sumo Sacerdote

Soprano

Veronika Kaiserová

Anna

Eliška Gattringerová

Vít Šantora

Abdallo

Bajo (+2)

Vojtěch Fülep

Actor

Michal Soukup

David Králík

Vojtěch Svoboda

Ballet

Balet Opery Národního divadla

Žáci Baletní školy Olgy Kyndlové

Michael Skalický

Michal Bragagnolo

Chorus

State Opera Chorus

Orchestra

State Opera Orchestra

Bajobarítono (+3)

Miloš Horák

Státní Opera Praha (The State Opera)

Lilla Lee

Ivo Stánchev

Dirección coral

Adolf Melichar

Marek Valášek

Dirección orquestal

Dirección orquestal (+1)

Andriy Yurkevych

Piotr Staniszewski

Hermann Bäumer

Tenor (+1)

Maksym Vorochek

Dirección coral (+1)

Zuzana Kadlčíková

Daniela Schillaci

Giorgi Chelidze

Phenomenal chorus scenes, extremely impassioned virtuoso arias, as well as the perennially topical themes of expansive war, lust for power, betrayal, life and death, are the reasons why it has always been a staple of opera houses’ repertoire.

The opera Nabucco, depicting the dramatic story of the subjugation of the Israelites by the King of Babylon, ranks among Guiseppe Verdi’s most celebrated works. Phenomenal chorus scenes, extremely impassioned virtuoso arias, as well as the perennially topical themes of expansive war, lust for power, betrayal, life and death, are the reasons why it has always been a staple of opera houses’ repertoire.

The title hero is based on the historical figure of King Nebuchadnezzar II. The opera starts with a true event, the destruction of the Temple of Solomon in 587 BC. Yet the following conversion of Nabucco (Nebuchadnezzar) to Judaism and the setting the Hebrews free from captivity in Babylon are the librettist’s fictional creations, as are the complicated relationships within the royal family, and the strife between Nabucco’s two stepdaughters, striving to win the love of the same man and gain the throne. Loosely blending true historical facts, a biblical legend and imagination, the libretto made it possible for Verdi to bring to bear fully for the first time his immense musical virtues. The colossal triumph of Nabucco, his third opera, at the world premiere at La Scala in Milan in 1842 opened for the 28-year-old composer the path to fame. The opera’s best-known number, the chorus “Va, pensiero, sull‘ali dorate” (“Fly, thought, on wings of gold”), expresses the Hebrew exiles’ hope for freedom.

In Verdi’s time, however, it became a symbol of the Italian patriots’ resistance to Austrian supremacy, an unofficial anthem of the endeavour for a unified Italy free from foreign control; and the chorus has retained its political meaning up to the present day. Just as Verdi’s librettist drew inspiration from the Bible, particularly Psalm 137, biblical symbolism is foregrounded by the stage director Tomáš Ondřej Pilař in his conception of Nabucco’s new State Opera production.

italiano

Praga

Chequia

Nabucco Verdi

Staged

Ópera

Sharan Allad

checo

inglés

Fenomenální sborové scény, extrémně vypjaté virtuózní árie a také stále aktuální témata o expanzivní válce, touze po moci, zradě, intrikách, lásce, životě a ...

Válido

Vídeos