Name: The Nose, op. 15
Start: 2022-05-01T00:00:00.000Z
End: 2022-06-02T00:00:00.000Z
Location: Operaen (Copenhagen Opera House)

Organization

Śpiewak

Baryton

Palle Knudsen

Platon Kuzmich Kovalev

Mezzosopran

Hanne Fischer

A Respectable Lady

Tenor

Christian Damsgaard

Ivan, Kovalyov's valet

Gert Henning-Jensen

The Nose

Bas - baryton

Simon Duus

Ivan Yakovlevich

Gina Gloria Tronel

Praskovia Osipovna

Conny Thimander

A district constable

Nicolai Elsberg

A Newspaper Clerk

Pelageya Grigorievna Podtochina

A Doctor

Eunuchs

Jonathan Koppel

Pjotr Fjodorowitsch

Iaryzhkin

William J Pedersen

Ivan Ivanovitch

Reżyseria

Alex Ollé

Reżyseria światła

Urs Schönebaum

Kostiumy

Lluc Castells

Scenografia

Alfons Flores

Dyrygent

Hossein Pishkar

Sopran

Melissa Baug

Mrs Podtochina's Daughter

Tłumaczenie

Trine Søndergaard

Footman

Simon Wilding

La Monnaie/De Munt

Royal Danish Opera

Orchestra

Det Kongelige Kapel

Others

Det Kongelige Operakor

The Royal Opera Choir

duński

The Nose, op. 15

Kopenhaga

Dania

Operaen (Copenhagen Opera House)

Store Scene

Nos Shostakovich

Public

Approved

Dmitry Shostakovich's opera The Nose is from 1928, and the landmark musical drama can now be experienced in a visually spectacular staging by an artistic team affiliated with the Spanish theater group La Fura del Baus. The only 22-year-old composer himself wrote the libretto based on Nikolaj Gogol's short story of the same title.

The nose is insane and full of crazy whims. The owner of the nose discovers in disbelief that his nose is gone as he wants to check for a pimple he found on the night before. He is entangled in a fight against the nose and a government bureaucracy that collapses in the face of the grotesque issue.

Shostakovich rejects all common rules in his work, in which he breaks all hitherto known, classical frameworks for the opera genre. Even when the composer uses well-known musical forms, he completely turns them upside down: For the Nose , for example, he writes a canon for eight double basses and an interlude for 10 untuned percussion instruments.

The opera was composed in the heyday of silent film in the spirit of Charlie Chaplin by a young man who was to develop into one of the greatest symphonists of our time with his 15 symphonies - but who was also to prove to be a great film music composer.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Współproducent