Name: NOSPR Domingo Hindoyan Kateřina Kněžíková Tymoteusz Bies
Start: 2022-10-14T00:00:00.000Z
End: 2022-10-14T00:00:00.000Z
Location: NOSPR

Admin

Polish National Radio Symphony Orchestra

Conductor

Domingo Hindoyan

Orchestra

Singer

Kateřina Kněžíková

Soprano

Instrumentalist

Tymoteusz Bies

Piano

Voice

NOSPR / Domingo Hindoyan / Kateřina Kněžíková / Tymoteusz Bies

Katowice

Poland

NOSPR

Concert Hall

NOSPR / Domingo Hindoyan / Kateřina Kněžíková / Tymoteusz Bies: Overture in the Italian Style No. 2 in C Major, D. 591 Schubert (+2 More)

Public

Overture in the Italian Style in C major, D 591

Symphony 4

Ch’io mi scordi di te? – Concert aria with piano obbligato KV 505

Saurav Kumar

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Contralto

Countertenor

Tenor

Baritone

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Retrospection, stylisation, pastiche – eternal themes in classical music. Mozart’s concert aria (in a genre that would soon pass into oblivion) was written for a star of the Vienna opera house, Nancy Storace. Here, the pain of separation is combined with a remembrance of closeness that echoes through the piano part. Schubert wanted to prove with his overture (for a bottle of good wine) that he knew how to write in the style of Rossini, who was much admired in his entourage. Gustav Mahler assumed Schubert’s fondness for ‘heavenly lengths’ that opened up unfathomable space. In his Fourth Symphony, a buoyant Mozartean rationalism, charming melodies and the pleasure of communing with music are intertwined with Mahlerian theology, just as the recollection of innocence is juxtaposed with traditional representations of Death playing a fiddle and heavenly delights in the closing song.

English

NOSPR / Domingo Hindoyan / Kateřina Kněžíková / Tymoteusz Bies by Schubert, Mahler, Mozart, Od (2022/2022), Dirigent Domingo Hindoyan, NOSPR, Katowice, Poland

Výkonnostní kredity (Obsazení a tým )

Soubor

Program, Informace a Synopsis

Fotografie

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Termíny a místa představení

Divadla/scény