Name: O Homem dos Sonhos
Start: 2022-02-04T00:00:00.000Z
End: 2022-02-06T00:00:00.000Z
Location: São Luiz Teatro Municipal

Organization

Conductor

Jan Wierzba

Stage director

Miguel Loureiro

Costume designer

Helena de Medeiros

Set designer

André André Guedes

Lighting designer

Daniel Worm

Singer

Christian Luján

Man of Dreams

Catarina Molder

Soprano

São Luiz Teatro Municipal

Teatro Avenida

O Homem dos Sonhos

Lisbon

Portugal

O Homem dos Sonhos Rosa

Public

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Tenor

Contralto

Mezzo-soprano

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

ópera de António Chagas Rosa
a partir de Mário de Sá-Carneiro
encenação Miguel Loureiro
direção artística e interpretação Catarina Molder

(vídeo Tiago Inuit)

A Ópera do Castelo apresenta no São Luiz, em estreia absoluta, a ópera de câmara O Homem dos Sonhos, com música e libreto do compositor António Chagas Rosa, um dos mais relevantes compositores portugueses da atualidade. Um projeto “sonhado” desde há longa data, inspirado na matéria dramática e visionária da obra de Mário de Sá-Carneiro, a partir do seu conto homónimo.

Esta ópera, em sete cenas,  reflete sobre a condição humana, sobre o ténue fio entre a loucura e a sanidade, entre o sonho e realidade, resumindo a eterna insatisfação humana e a sua continua obsessão em transcender limites de tempo, de espaço e de género. E ainda sobre o fascínio premonitório e estruturante do próprio sonho, já que é ele afinal que modela e guia o ser humano na sua marcha existencial, enquanto sociedade global e enquanto indivíduo. Tudo o que somos já foi porventura sonhado e transformado em matéria visível.

Um misterioso e elegante homem (encarnado pelo soprano Catarina Molder, o alter-ego do poeta)  conseguiu atingir a suprema felicidade, ao transcender a barreira do sonho, ultrapassando a fastidiosa rotina da vida, e viver tudo o que sonhava: viajava em sonho a países de cores novas e indescritíveis, a cidades onde o gás que se respirava era composto por música, a países onde havia mais do que dois sexos, onde a alma era visível e o corpo justamente não…

“Eu dominei os sonhos. Sonho o que quero. Vivo o que quero.”

Ópera do Castelo presents the chamber opera O Homem dos Sonhos at São Luiz,  with music and libretto by the composer António Chagas Rosa, one of the most important Portuguese composers of our time. A project “dreamed of” for a long time, inspired by the dramatic and visionary material of the work of Mário de Sá-Carneiro, based on his homonymous short story.

This opera, in seven scenes, reflects on the human condition, on the tenuous thread between madness and sanity, between dream and reality, summarizing the eternal human dissatisfaction and its continuous obsession with transcending limits of time, space and gender. And also about the premonitory and structuring fascination of the dream itself, since it is after all that shapes and guides the human being in his existential march, as a global society and as an individual. Everything that we are has perhaps already been dreamed of and transformed into visible matter.

A mysterious and elegant man (incarnated by the soprano Catarina Molder, the poet's alter-ego) managed to achieve supreme happiness, by transcending the barrier of dreams, overcoming the boring routine of life, and living everything he dreamed of: he traveled in a dream to countries of new and indescribable colors, to cities where the gas that was breathed was composed of music, to countries where there were more than two sexes, where the soul was visible and the body just not…

“I have mastered dreams. I dream what I want. I live what I want.”

English

O Homem dos Sonhos by Rosa, A. C., søn. 06 feb. 2022, Fra (2022/2022), Instrueret af Miguel Loureiro,, Dirigent Jan Wierzba, São Luiz Teatro Municipal, Lisbon, Portugal

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