Name: Orchestra Cherubini - Riccardo Muti
Start: 2022-07-21T00:00:00.000Z
End: 2022-07-21T00:00:00.000Z
Location: Palazzo Mauro De André

Organization

Ravenna Festival

Conductor

Riccardo Muti

Orchestra

Orchestra Giovanile Luigi Cherubini

Orchestra Cherubini - Riccardo Muti

Ravenna

Italy

Palazzo Mauro De André

Orchestra Cherubini - Riccardo Muti: Concert Various

Public

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Contralto

Singer

Tenor

Mezzo-soprano

Baritone

Bass-baritone

Soprano

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

«In my head I have a symphony, which I’d like to call Rome[…]. It’s an excellent plan: Venice will be my Andante, Rome my first movement, Florence my Scherzo, and Naples my Finale. It is a new idea, I believe». In 1860, on his way back from a three-year stay at the Villa Medici, Bizet was inebriated by the Italian art and landscapes, and this beauty ideally underpins his unusual score. Liszt, too, had experimented a similar narrative impetus in his symphonic poems, the most famous of which, Les préludes, he “justified” by ascribing its continuous thematic metamorphosis to Lamartine’s Méditations. The same momentum also permeates the evocative “fairy tale scene” written in 1908 by Russian composer Lyadov, a pupil of Rimsky-Korsakov and, in his turn, the teacher of Prokofiev. Three musical frescoes which Muti outlines in all their nuances and depth, in a tireless search for perfection.

English

«Ho in mente una sinfonia che vorrei intitolare Roma […]. È studiata alla perfezione: Venezia sarà l’Andante, Roma il primo movimento, Firenze lo Scherzo e Napoli il Finale. È un’idea nuova, direi». Nel 1860 di ritorno da un triennio a Villa Medici, Bizet è ancora inebriato dell’arte e dei paesaggi italiani, di quella bellezza che idealmente innerva la sua singolare partitura. Con lo stesso slancio narrativo che Liszt già aveva sperimentato nei suoi poemi sinfonici – nel più celebre,Les préludes, “giustifica” la continua metamorfosi tematica con le “meditazioni” di Lamartine. E che permeerà anche l’evocativa “scena da favola” che il russo Ljadov – allievo di Rimskij-Korsakov e a sua volta maestro di Prokof’ev – compone nel 1908. Affreschi musicali di cui Muti delinea ogni sfumatura e spessore, nell’instancabile ricerca della perfezione.

italiano

Orchestra Cherubini - Riccardo Muti by Various, og. 21 uzt. 2022, Noiztik (2022/2022), Zuzendaria Riccardo Muti, Palazzo Mauro De André, Ravenna, Italy

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Programa, buruz eta sinopsia

Argazkiak

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