Name: Orlando paladino
Start: 2018-04-27T00:00:00.000Z
End: 2018-07-05T00:00:00.000Z
Location: Stadttheater

Admin

Organization

Set designer

Marlene Lockemann

Costume designer

Viva Schudt

Dramaturge

Anne Christine Oppermann

Singer

Soprano

Cornelie Isenbürger

Angelica

Bass

Caio Monteiro

Rodomonte

Tenor

Daniel Pataky

Orlando

Liang-Hua Gong

Medoro

Yoshiaki Kimura

Licone

Nienke Otten

Eurilla

Lorin Wey

Pasquale

Hasti Molavian

Alcina

Caronte

Conductor

Merijn van Driesten

Theater Bielefeld

Stage director

Felicitas Brucker

italiera

Orlando paladino -  (Orlando the Paladin)

Bielefeld

Germany

Stadttheater

Orlando paladino Haydn

Public

Orlando the Paladin

alemana

ingelesa

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Mezzo-soprano

Countertenor

Baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Dramma eroicomico in three acts // Text by Nunziato Porta after Carlo Francesco Badini // In Italian with German surtitles

What a great effect little hearts and vows of love carved in tree bark can have! When Knight Orlando sees from the carvings that his adored Angelica loves someone else, he succumbs to mad jealousy. Vengefully he pursues the lovers, who in turn are pursued by the choleric warrior Rodomonte. A wild chase begins. Because while Angelica's lover Medoro doesn't like a fight at all, it would be the fulfillment of a long-cherished dream for Rodomonte to finally duel with the frenzied Orlando. It's good that Angelica can count on the magical support of the fairy Alcina. But with such deep-seated love madness, even Alcina has to enlist the help of the underworld to bring Orlando back to his senses. Ultimately, however, nothing stands in the way of the general realization that if you want to be happy, it is best to only love those who love you. Better safe than sorry!

Based on the fantastic knight epic Orlando Furioso by Ludovico Ariosto, Joseph Haydn's Orlando Paladino , which premiered in 1782, lovingly pokes fun at blind love and pathetic heroism. Noble and rabbit-footed knights, charming but well-fortified ladies, terrifying monsters and all sorts of magic - with fresh melody and a sense of parody, Haydn combines these heroic, comic and sensitive elements into an unconventional, romantic fantasy opera. A firework of absurdly funny ideas and musical wit!

English

Orlando the Paladin by Haydn, ig. 27 mai. 2018, Noiztik (2018/2018), Zuzendaria Felicitas Brucker,, Zuzendaria Merijn van Driesten, Stadttheater, Bielefeld, Germany

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